"Bedtime Story" is a song recorded by American singer Madonna for her sixth studio album, Bedtime Stories (1994). It was released as the third single from the album on February 13, 1995, by Maverick Records, and it also appears on Madonna's compilation album GHV2 (2001). "Bedtime Story" was written by Björk, Nellee Hooper and Marius De Vries; it was the only time Björk wrote a song for a Madonna album. She re-wrote a demo of the song to the current version, which was then produced by Madonna and Hooper. A mid-tempo electronic and house song with acid, ambient and techno influences, "Bedtime Story" has an underlying skeletal synth melody influenced by minimal trance music. The track was a departure from Madonna's pop-R&B-based outputs in favor of unconventional and electronic music. Lyrically it talks about the joys of the unconscious world.
The music video for "Bedtime Story" was directed by Mark Romanek over a course of six days at Universal Studios, Universal City, California. Making the clip reportedly cost US$ 5 million, making "Bedtime Story" one of the most expensive music videos of all time. On March 10, 1995, the video was given a cinematic release at three different Odeon Cineplex film theaters; in Santa Monica, California at the Broadway Cinemas, in Manhattan, New York at the Chelsea Theater, and in Chicago, Illinois at the Biograph Theater.
The music video starts off with a blue monitor screen with an eye showing the inscription "Welcome". The video progresses inside a blue space ship-style room with Madonna lying prostrate in what seems to be a scientific experiment. The imagery cast in this section of the video have drawn comparisons to hermeticism. The video progresses into a sequence of dreams, containing varied surrealistic, mystic, new age, Sufi and Egyptian imagery and symbolism. Such include a scene in which Madonna lies on a rotating sunflower, and images of a woman with long hair, an alchemist-type man holding a cube with Madonna's face on each side as well as rotating Sufi dancers. The dream sequence progresses with unusual clips, including Madonna in a pool with half-visible skulls. A scene in which Madonna, dressed in a light dressing gown, gives birth to doves, can also be seen; the image has been compared to the work of René Magritte and Kahlo's 1932 painting My Birth. Suddenly, she floats down a corridor in a white gown and appears in a black-and-white projection in a cinema-like room. As the music gets more dramatic, the dream grows intense, with images of skulls and scars appearing, and the singer can be seen wading through space. A scene in which Madonna's eyes are replaced with her mouth and her mouth with an eye precedes the ending, influenced by the work of Kahlo; the final shots show Madonna waking up and looking out. File Hashes
HASH2: 4E7C3E9A36972F71 (FLAC)