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Richard Youngs

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Beating Stars (2005)	The Naive Shaman (2005)	River Through Howling Sky (2004)
Ourselves (2004)	Airs of the Ear (2003)	May (2002)
Making Paper (2001)	Makoto Kawabata & Richard (2001)	Radios 6 (2000)
Radios 7 (2000)	Radios 8 (2000)	House Music (1998)
Pulse of the Rooster (1998)	Sapphie (1998)	Radios 345 (1997)
Veil (For Greg) (1997)	Radios (1996)	Radios 2 (1996)
Festival (1994)	Ceaucescu (1992)	New Angloid Sound (1992)
Advent (1990)	LAKE (1990)

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1966 to Present...

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Richard Youngs (born 29 May 1966) is an English musician based in Glasgow since the early 1990s. His catalogue of solo and collaborative work formally begins with Advent, first issued in 1990. He plays many instruments, most commonly choosing the guitar, but he has been known to use other instruments including the shakuhachi, accordion, theremin, dulcimer, a home-made synthesizer (common on early recordings) and even a motorway bridge. He also released an album which was entirely a cappella.
For many years, live performances were very occasional and almost always in Glasgow; he has stated publicly that he finds live performance "incredibly nerve-racking: stomach cramps, tension headaches...". However, in recent years, he has performed more regularly (including a tour of New Zealand in 2010 and a UK tour in support of Damon and Naomi in 2011) and many of his recent shows have been predominantly vocal - he told The Wire (issue 284) "I went to a laptop concert and decided I was going to sing".

His music has been noted for its diversity, with Dusted saying that he had been "defying strict genre classifications since the early nineties, swapping labels, styles, partners, motifs, and recording techniques as the desire has struck him". He has been recording for most of his life, telling Foxy Digitalis that "I've made music as long as I can remember - ever since I was a child - and recorded the stuff as long as I've had the technology - I began with a cheap cassette player. So, it's strange to think what it'd be like not to make or record music. It seems unnatural!". When reviewing his 1996 CD Festival, Melody Maker described him as "grand-meister of contemporary British improv, spiritual son of Eddie Prevost and Maddy Prior; gentle manipulator of English hymn-notics and religious incantations; protege, challenger and radicaliser of folk, blues, rock, minimalism and improvisation; translator for the sea and the rain and the sky; ambassador to war and peace, to love and anguish".

It could be suggested his musical styles range from folk to progressive rock to improvisation to electronics. Early works were characterized by a somewhat minimalist lo-fi production quality, with Youngs working mostly on a reel-to-reel 4-track machine or recording directly to minidisc. However, he has been using professional standard computer-based recording systems for over a decade.


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Last Edit by Epg
08th Jan 2025

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