Album Title

PinkPantheress

Fancy That (2025)

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2:30
2:25
2:57
2:22
0:24
1:45
2:50
2:48
2:34

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First Released

Calendar Icon 2025

Genre

Genre Icon Pop

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Release Format

Release Format Icon Mixtape/Street

Record Label Release

Speed Icon Warner Music UK

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Album Description
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Since blowing up on TikTok in 2021, the English singer-producer has balanced polished pop ambitions with DIY experimentation. On one hand, dreamy wisps of drum and bass and garage that clocked in at under two minutes; on the other, runaway megahits like “Boy’s a liar” and its subsequent Ice Spice remix. It’s a line PinkPantheress has trod deftly between her debut mixtape, 2021’s to hell with it, and her first studio album, 2023’s Heaven knows. “Half of me really wants to be a very recognised and one day iconic musician,” she tells Apple Music. “And then part of me is also like, being an unsung hero seems cool, too.”

She maintains the balance on her sophomore mixtape, Fancy That—at once slick and eccentric, nostalgic and new, crisp but not too clean. Here she channels the euphoria of ’90s big-beat heavy-hitters like Fatboy Slim or Basement Jaxx, the latter of whom she samples frequently throughout (most pointedly on “Romeo”, a nod to the UK duo’s 2001 hit of the same name).

Basement Jaxx’s first album, Remedy, was a major source of inspiration. “It blew me away, and I felt things that I hadn’t felt before,” she says. She’s honed her knack for reinterpretation since. “Stars” features her second sample of Just Jack’s “Starz in Their Eyes” (she previously used it on 2021’s “Attracted to You”), and on “Tonight”, she flips a 2008 Panic! At the Disco cut into a swooning house number. Tying it together are her ethereal vocals, cooing sweet nothings across the pond over a bassline from The Dare on “Stateside”: “Never met a British girl, you say?”

As for where she stands on the superstar/unsung hero spectrum, she’s willing to tilt in favour of the latter at the moment. “I’m very happy to have an album that is way more pensive and less appealing to virality,” she says. “The first project was underdeveloped, but hype and hard and cool. Second project was well done, cohesive. I’ve proved I can do both. Now I can go and do exactly what I want.”
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