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Track List
01) Requiem
02) Windswept (Minimal)
03) Loveless
04) Saturday (Evening)
05) Red Curtains
06) Deja Vu
07) Lipstick
08) Tomorrow Is Yesterday
09) Shadow (Opening Titles)
10) Self Portrait
11) Black Room
12) Spiral Staircase
13) Embers
14) Sleepless
15) Nightmare
16) Red Door
17) Waking Up
18) Caffeine
19) Purgatory
20) Breathless
21) Infinity Room
01) Requiem
02) Windswept (Minimal)
03) Loveless
04) Saturday (Evening)
05) Red Curtains
06) Deja Vu
07) Lipstick
08) Tomorrow Is Yesterday
09) Shadow (Opening Titles)
10) Self Portrait
11) Black Room
12) Spiral Staircase
13) Embers
14) Sleepless
15) Nightmare
16) Red Door
17) Waking Up
18) Caffeine
19) Purgatory
20) Breathless
21) Infinity Room
1:26
4:01
3:16
3:30
2:41
2:44
1:58
2:31
2:50
2:03
1:55
2:22
2:15
1:19
4:01
1:56
3:15
3:24
1:59
4:37
2:39
Data Complete
60%
Total Rating
60%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2018
Ambient
Dreamy
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Medium
Album
0 copies
Album Description
Available in:
It was a year ago now that Twin Peaks: The Return arrived like a godsend & defied every plausible expectation. David Lynch & Mark Frost’s sprawling, unprecedented 18-part masterpiece proved unlike anything seen before on television.
Nobody will forget the moment the show’s uncanny two-part premiere drew to an enigmatic close, as Chromatics took the stage at the Roadhouse bathed in cobalt, inaugurating with their hypnotic performance of “Shadow”. This was only the beginning of Johnny Jewel’s sonic presence on the series. His mesmerizing, dreamlike “Windswept” became the bona fide theme song of Kyle MacLachlan’s Lodge-dazed Dougie Jones — a siren song of melancholic saxophone calling out to him from the beyond.
“I was about a year deep into recording what would become Windswept when I heard that David was making Season 3,” he explains. “It’s been a year since Chromatics performed at the Roadhouse. With disintegrated memory through the haze of television snow, I wanted to share a glimpse behind the red curtain.” Themes for Television is an epic from the cutting room floor. A nearly hour-long foray into the blurry hours of night. “The project began as a sonic exploration of the sounds I was hearing in my nightmares,” Jewel says. “I wanted to find my way out of the maze by focusing on beauty over fear — like the way the fractured sunrise looks in a dream.”
Themes for Television is in keeping with the unpredictable twilit splendor one expects of Jewel. Working entirely without images, drawing from his own imagined version of what The Return might be, Jewel produced a monumental six hours of material. The 21 tracks that comprise this album have been culled from that prolific streak of inspiration, sequenced & edited last winter in Tokyo.
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Available in:
It was a year ago now that Twin Peaks: The Return arrived like a godsend & defied every plausible expectation. David Lynch & Mark Frost’s sprawling, unprecedented 18-part masterpiece proved unlike anything seen before on television.
Nobody will forget the moment the show’s uncanny two-part premiere drew to an enigmatic close, as Chromatics took the stage at the Roadhouse bathed in cobalt, inaugurating with their hypnotic performance of “Shadow”. This was only the beginning of Johnny Jewel’s sonic presence on the series. His mesmerizing, dreamlike “Windswept” became the bona fide theme song of Kyle MacLachlan’s Lodge-dazed Dougie Jones — a siren song of melancholic saxophone calling out to him from the beyond.
“I was about a year deep into recording what would become Windswept when I heard that David was making Season 3,” he explains. “It’s been a year since Chromatics performed at the Roadhouse. With disintegrated memory through the haze of television snow, I wanted to share a glimpse behind the red curtain.” Themes for Television is an epic from the cutting room floor. A nearly hour-long foray into the blurry hours of night. “The project began as a sonic exploration of the sounds I was hearing in my nightmares,” Jewel says. “I wanted to find my way out of the maze by focusing on beauty over fear — like the way the fractured sunrise looks in a dream.”
Themes for Television is in keeping with the unpredictable twilit splendor one expects of Jewel. Working entirely without images, drawing from his own imagined version of what The Return might be, Jewel produced a monumental six hours of material. The 21 tracks that comprise this album have been culled from that prolific streak of inspiration, sequenced & edited last winter in Tokyo.
User Album Review
None...
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