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Perdida es el octavo álbum de la banda, lanzado por Rhino Records y grabado en los Bomb Shelter Studios (Los Ángeles).
Totalmente acústico, es el disco más íntimo y confesional de su carrera. Aquí no hay distorsión ni furia, sólo melancolía, cuerdas y belleza resignada. “Fare Thee Well” y “Miles Away” parecen cartas abiertas al pasado, un diálogo con los fantasmas de Weiland y Bennington. La instrumentación, flautas, violonchelos, guitarras españolas, revela una nueva madurez.
Es un cierre circular: la banda que empezó rugiendo termina susurrando. Perdida no busca resucitar el mito, sino encontrar paz entre los restos del naufragio.
User Album Review
Perdida—STP’s second release with singer Jeff Gutt—contains 10 diverse, resplendent acoustic cuts boasting catchy hooks reminiscent of the band’s 1994 MTV Unplugged session, in particular, their cover of Led Zeppelin’s “Dancing Days.”
Much of the lyricism on Perdida, which is Spanish for “loss”, revolves around eroded relationships, be it with lovers or friends, and the pain of death. Unlike Journey singer Arnel Pineda, whose voice is basically a parroting of Steve Perry’s, Gutt only faintly resembles Weiland on Perdida. In a way, though, that feels respectful.
With shifting moods, pretty pianos, Italian-sounding guitar finessing, Gutt’s imposing voice, and atmospheric violins, album closer “Sunburst” comes through the speakers and envelopes the listener, taking them on a journey across layered soundscapes.
This could be the start of a new career path for STP, whose audience is getting older with them. What you get on Perdida is a band that as they get comfortable with another new singer, is pumping out songs that are more reflective of who they are today.
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