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Track List
01) Revolution Rock n Roll
02) Dirty Water
03) Death and Destruction
04) Montreal
05) Angela
06) Love Life
07) Am I Wrong?
08) Controversy
09) Forever
10) What Size Shoe
01) Revolution Rock n Roll
02) Dirty Water
03) Death and Destruction
04) Montreal
05) Angela
06) Love Life
07) Am I Wrong?
08) Controversy
09) Forever
10) What Size Shoe
3:09
3:23
2:33
2:17
3:31
2:19
3:02
2:57
3:57
4:54
Data Complete
60%
Total Rating
60%Total Rating
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First Released
2017
Rock
Party
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Album Description
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"Dirty Pictures Part 1" is the fourth studio album by American rock and roll band Low Cut Connie. It was released on 19th May 2017 on the Contender Records label.
Its first bands first album without drummer Dan Finnemore with pianist Adam Weiner taking over lead vocals.
At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 79, based on 7 reviews, indicating "generally favorable reviews".
User Album Review
On their first three for the most part excellent records, Brooklyn-via-Philly punk and rock and rock & roll revivalists Low Cut Connie partied like their biggest worldly concern was trying to find the next good excuse to dump a bunch of Yuengling on their drummer. But the weight of the world is really with them on album four, and it’s helped add depth and power to their music: “Never paid attention in my twenties,” Adam Weiner sings over a roadhouse garage-soul boogie “Death And Destruction,” a come-to-Jesus with reality that parties on the edge of apocalypse.
Big Star made great records, and their mix of Seventies Stones (but dirtier), the New York Dolls (but tighter) and Jerry Lee Lewis (but Westerberg-ier) comes with an extra sense of bare-knuckled grit and sonic thwump to fight against the darkness. “Revolution Rock & Roll” is a slamming gospel-tinged get-woke anthem, while the strikingly spare piano ballad “Montreal” evokes Big Star’s “Thirteen” and Dylan’s “It’s All Over Now, Baby Blue,” and turns on the lines “I gave conjunctivitis to a girl in a bar/I gave conjunctivitis like a star.”
Death also haunts the album via a fine cover of Prince’s “Controversy,” and “Forever,” which laments fallen music heroes with a Tom Waits-at-closing-time ragged beauty. The LP ends with “What Size Shoe,” a war cry of personal and political abjection that creeps like side four of Exile On Main Street and ends with Weiner asking “Ain’t this the United States/Ain’t this the home of the brave?” Maybe not anymore. But this record proves they’re ginned up for the resistance.
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Available in:
"Dirty Pictures Part 1" is the fourth studio album by American rock and roll band Low Cut Connie. It was released on 19th May 2017 on the Contender Records label.
Its first bands first album without drummer Dan Finnemore with pianist Adam Weiner taking over lead vocals.
At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 79, based on 7 reviews, indicating "generally favorable reviews".
User Album Review
On their first three for the most part excellent records, Brooklyn-via-Philly punk and rock and rock & roll revivalists Low Cut Connie partied like their biggest worldly concern was trying to find the next good excuse to dump a bunch of Yuengling on their drummer. But the weight of the world is really with them on album four, and it’s helped add depth and power to their music: “Never paid attention in my twenties,” Adam Weiner sings over a roadhouse garage-soul boogie “Death And Destruction,” a come-to-Jesus with reality that parties on the edge of apocalypse.
Big Star made great records, and their mix of Seventies Stones (but dirtier), the New York Dolls (but tighter) and Jerry Lee Lewis (but Westerberg-ier) comes with an extra sense of bare-knuckled grit and sonic thwump to fight against the darkness. “Revolution Rock & Roll” is a slamming gospel-tinged get-woke anthem, while the strikingly spare piano ballad “Montreal” evokes Big Star’s “Thirteen” and Dylan’s “It’s All Over Now, Baby Blue,” and turns on the lines “I gave conjunctivitis to a girl in a bar/I gave conjunctivitis like a star.”
Death also haunts the album via a fine cover of Prince’s “Controversy,” and “Forever,” which laments fallen music heroes with a Tom Waits-at-closing-time ragged beauty. The LP ends with “What Size Shoe,” a war cry of personal and political abjection that creeps like side four of Exile On Main Street and ends with Weiner asking “Ain’t this the United States/Ain’t this the home of the brave?” Maybe not anymore. But this record proves they’re ginned up for the resistance.
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