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Track List
01) Middle of Nowhere
02) Guilty
03) Meadow
04) Just a Little Lie
05) Six Eight
06) Thought She'd Be Mine
07) Roll Me Under
08) Never Enough
09) The Art of Letting Go
10) Finest Hour
11) Good Shoes
12) Reds & Blues
01) Middle of Nowhere
02) Guilty
03) Meadow
04) Just a Little Lie
05) Six Eight
06) Thought She'd Be Mine
07) Roll Me Under
08) Never Enough
09) The Art of Letting Go
10) Finest Hour
11) Good Shoes
12) Reds & Blues
3:41
3:14
3:28
3:59
3:32
5:31
3:45
3:46
4:35
4:10
3:38
4:59
Data Complete 80%
Total Rating
Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2018
Grunge
Boisterous
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
Stone Temple Pilots es el séptimo álbum de la banda, lanzado por Rhino Records y grabado en los Bomb Shelter Studios (Los Ángeles).
Con Jeff Gutt como vocalista, STP recuperó su sonido clásico con una serenidad inesperada. Gutt no imita a Weiland, pero encarna su espíritu con respeto. El disco tiene un aire de continuidad y renacimiento. “Meadow” y “Roll Me Under” combinan riffs brillantes con letras sobre resiliencia y paso del tiempo. El tono general es cálido, introspectivo, más preocupado por la permanencia que por la innovación.
Es un renacer discreto, pero auténtico.
User Album Review
The Lowdown: Faced with a crossroads after the deaths of their two famed lead singers (Scott Weiland and Chester Bennington), the DeLeo brothers and drummer Eric Kretz opt to endure, recruiting former X-Factor runner-up Jeff Gutt for a collection of new material that attempts to honor the band’s hard-rocking legacy while simultaneously pointing towards a new beginning.
The Good: There’s some decent rock music to be found here; in particular, single “Meadow” chugs along on the power of Dean DeLeo’s soloing prowess and Gutt’s willingness to just impersonate Axl Rose. However, the most interesting parts of the record are probably the least STP-like; ballads like “Thought She’d Be Mine” and “The Art of Letting Go” veer into bittersweet power pop territory and give the band an easy blueprint for how to differentiate this new era from the old.
The Bad: You won’t find any of the half-fried poetics that made songs like “Vasoline” and “Trippin’ on a Hole in a Paper Heart” into radio hits. Instead, the majority of Stone Temple Pilots falls back on butt-rock platitudes and faceless riffs that could’ve been written any time in the last 30 years. Nothing’s outright terrible, but plenty of these tracks simply feel unnecessary. In a way, that’s almost worse.
The Verdict: For many fans, Scott Weiland was Stone Temple Pilots, and his departure and death (along with the death of Bennington) effectively ended the band as they knew it. Diehards and optimists out there will likely see this new record as an honest attempt to process that loss through renewed creation while cynics will probably just regard it as a lucrative excuse to keep touring on the power of songs from 1996. No matter which side you’re on, you’ll likely agree: while this new self-titled album may point to a band dedicated to writing a new chapter for itself, the music they’ve made here only acts as the tentative (and skippable) introduction.
Reviewed by Tyler Clark for consequenceofsound.net.
External Album Reviews
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User Comments
Available in:
Stone Temple Pilots es el séptimo álbum de la banda, lanzado por Rhino Records y grabado en los Bomb Shelter Studios (Los Ángeles).
Con Jeff Gutt como vocalista, STP recuperó su sonido clásico con una serenidad inesperada. Gutt no imita a Weiland, pero encarna su espíritu con respeto. El disco tiene un aire de continuidad y renacimiento. “Meadow” y “Roll Me Under” combinan riffs brillantes con letras sobre resiliencia y paso del tiempo. El tono general es cálido, introspectivo, más preocupado por la permanencia que por la innovación.
Es un renacer discreto, pero auténtico.
User Album Review
The Lowdown: Faced with a crossroads after the deaths of their two famed lead singers (Scott Weiland and Chester Bennington), the DeLeo brothers and drummer Eric Kretz opt to endure, recruiting former X-Factor runner-up Jeff Gutt for a collection of new material that attempts to honor the band’s hard-rocking legacy while simultaneously pointing towards a new beginning.
The Good: There’s some decent rock music to be found here; in particular, single “Meadow” chugs along on the power of Dean DeLeo’s soloing prowess and Gutt’s willingness to just impersonate Axl Rose. However, the most interesting parts of the record are probably the least STP-like; ballads like “Thought She’d Be Mine” and “The Art of Letting Go” veer into bittersweet power pop territory and give the band an easy blueprint for how to differentiate this new era from the old.
The Bad: You won’t find any of the half-fried poetics that made songs like “Vasoline” and “Trippin’ on a Hole in a Paper Heart” into radio hits. Instead, the majority of Stone Temple Pilots falls back on butt-rock platitudes and faceless riffs that could’ve been written any time in the last 30 years. Nothing’s outright terrible, but plenty of these tracks simply feel unnecessary. In a way, that’s almost worse.
The Verdict: For many fans, Scott Weiland was Stone Temple Pilots, and his departure and death (along with the death of Bennington) effectively ended the band as they knew it. Diehards and optimists out there will likely see this new record as an honest attempt to process that loss through renewed creation while cynics will probably just regard it as a lucrative excuse to keep touring on the power of songs from 1996. No matter which side you’re on, you’ll likely agree: while this new self-titled album may point to a band dedicated to writing a new chapter for itself, the music they’ve made here only acts as the tentative (and skippable) introduction.
Reviewed by Tyler Clark for consequenceofsound.net.
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