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Track List
01) The Last Time I Saw Paris
02) Just in Time
03) Toot-Toot Tootsie
04) What Is There to Say
05) Dearly Beloved
06) Ev'ry Time We Say Goodbye
07) Cutie
08) It Could Happen to You
09) Mangoes
10) Funky Hotel Blues
01) The Last Time I Saw Paris
02) Just in Time
03) Toot-Toot Tootsie
04) What Is There to Say
05) Dearly Beloved
06) Ev'ry Time We Say Goodbye
07) Cutie
08) It Could Happen to You
09) Mangoes
10) Funky Hotel Blues
2:59
3:59
4:24
4:55
3:05
3:24
5:53
3:46
5:33
5:59
Data Complete
40%
Total Rating
40%Total Rating
(1 users)
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First Released
1959
Jazz
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Medium
Album
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Album Description
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The Sound of Sonny is an album by jazz saxophonist Sonny Rollins, his first recorded for the Riverside label, featuring performances by Rollins with Sonny Clark, Roy Haynes and Percy Heath or Paul Chambers.
Allmusic 4.5/5 stars
The Rolling Stone Jazz Record Guide 4/5 stars
The Allmusic review by Lindsay Planer states: "A new phase in Sonny Rollins' career began in 1957. He started what was at the time an almost blasphemous trend of recording for a number of different labels. His pioneering spirit yielded a few genre-defining albums, including this disc. His performances were also at a peak during 1957 as Down Beat magazine proclaimed him the Critics' Poll winner under the category of 'New Star' of the tenor saxophone. This newfound freedom can be heard throughout the innovations on The Sound of Sonny. Not only are Rollins' fluid solos reaching newly obtained zeniths of melodic brilliance, but he has also begun experimenting with alterations in the personnel from tune to tune."
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Available in:
The Sound of Sonny is an album by jazz saxophonist Sonny Rollins, his first recorded for the Riverside label, featuring performances by Rollins with Sonny Clark, Roy Haynes and Percy Heath or Paul Chambers.
Allmusic 4.5/5 stars
The Rolling Stone Jazz Record Guide 4/5 stars
The Allmusic review by Lindsay Planer states: "A new phase in Sonny Rollins' career began in 1957. He started what was at the time an almost blasphemous trend of recording for a number of different labels. His pioneering spirit yielded a few genre-defining albums, including this disc. His performances were also at a peak during 1957 as Down Beat magazine proclaimed him the Critics' Poll winner under the category of 'New Star' of the tenor saxophone. This newfound freedom can be heard throughout the innovations on The Sound of Sonny. Not only are Rollins' fluid solos reaching newly obtained zeniths of melodic brilliance, but he has also begun experimenting with alterations in the personnel from tune to tune."
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