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Track List
01) Beyond
02) Genesee Avenue
03) Night Crawler
04) Master
05) Reign in Hell
06) Tongue
07) Without a Trace
08) Ripper
09) Bathory Bitch
10) Sacrament
11) Behemoth
12) Reign in Hell (Dance with the Dead remix)
13) Behemoth (Perturbator remix)
01) Beyond
02) Genesee Avenue
03) Night Crawler
04) Master
05) Reign in Hell
06) Tongue
07) Without a Trace
08) Ripper
09) Bathory Bitch
10) Sacrament
11) Behemoth
12) Reign in Hell (Dance with the Dead remix)
13) Behemoth (Perturbator remix)
0:52
3:53
4:20
3:28
1:51
4:50
4:23
4:51
5:33
1:01
4:27
3:42
4:22
Data Complete 80%
Total Rating
Total Rating
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2015
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Medium
Album
0 copies
Album Description
Available in:
GosT is an electronic project cloaked in mystery. I remember reading the one-man group hails from Michigan, but he/she/it supposedly hails from “Below” (perhaps Hell, Michigan?). Regardless, GosT is a very interesting project that gets to ask one important question. Have you ever wondered what an 80s rave in a haunted house/slasher film would sound like? For anyone who likes their electronic music playful and loud, the answer is pretty certain. This album is boatloads of fun. GosT operates with a style of what’s called synthwave, but that’s a rather odd name for something that sounds straight from the 80s and John Carpenter’s films. (If you haven’t heard the other well-known synthwave group Perturbator yet, get on that pronto.) What’s quite impressive about Behemoth is how it never sounds dated, despite its obvious affinity towards 80s sounds and motifs. There’s a slight dubstep feel to some of the heavier sounds, and there’s a clear love of extreme metal hidden beneath the shiny synth work and bombastic bass.
Behemoth is especially strong, given how weak electronic albums tend to come across. It’s a sound best suited for singles or EPs, but GosT does a great job of telling a story through the album; you can imagine where you are in the slasher film during different points in the album. For example, “Master” sounds like an early chase/gleeful killing spree. Hell, that’s another aspect of the record that lends to its success. Each of these songs works well on its own, say in a random playlist; however, they work even better in sequence. GosT has created one Hell of a blood-filled dance party.
-Nicholas Senior, New Noise Magazine
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Available in:
GosT is an electronic project cloaked in mystery. I remember reading the one-man group hails from Michigan, but he/she/it supposedly hails from “Below” (perhaps Hell, Michigan?). Regardless, GosT is a very interesting project that gets to ask one important question. Have you ever wondered what an 80s rave in a haunted house/slasher film would sound like? For anyone who likes their electronic music playful and loud, the answer is pretty certain. This album is boatloads of fun. GosT operates with a style of what’s called synthwave, but that’s a rather odd name for something that sounds straight from the 80s and John Carpenter’s films. (If you haven’t heard the other well-known synthwave group Perturbator yet, get on that pronto.) What’s quite impressive about Behemoth is how it never sounds dated, despite its obvious affinity towards 80s sounds and motifs. There’s a slight dubstep feel to some of the heavier sounds, and there’s a clear love of extreme metal hidden beneath the shiny synth work and bombastic bass.
Behemoth is especially strong, given how weak electronic albums tend to come across. It’s a sound best suited for singles or EPs, but GosT does a great job of telling a story through the album; you can imagine where you are in the slasher film during different points in the album. For example, “Master” sounds like an early chase/gleeful killing spree. Hell, that’s another aspect of the record that lends to its success. Each of these songs works well on its own, say in a random playlist; however, they work even better in sequence. GosT has created one Hell of a blood-filled dance party.
-Nicholas Senior, New Noise Magazine
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None...
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