Album Title

Mount Eerie

Sauna (2015)

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Track List
01) Sauna
02) Turmoil
03) Dragon
04) Emptiness
05) (Something) Flame icon
06) Boat
07) Planets
08) Pumpkin
09) Spring
10) Books
11) This
12) Youth





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10:00
1:50
3:15
3:23
2:16
2:13
1:24
5:12
13:21
3:30
3:18
5:27

Data Complete 80%
15%


Total Rating

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Back Cover
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First Released

Calendar Icon 2015

Genre

Genre Icon Indie

Mood

Mood Icon ---

Style

Style Icon Folk

Theme

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Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon P.W. Elverum & Sun

Popularity

Popularity Icon 16/100

UPC

UPC Icon 889176236709

World Sales Figure

Sales Icon 0 copies

Album Description
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The sauna that this album was inspired by is not a sauna that actually exists anywhere. It is about the idea of a small man-made wooden room crushed beneath a universe’s worth of bad weather; a concentration of extreme heat within a vast tough world. Inside this deliberate space a transformation occurs. The exaggerated atmosphere of flames, steam, smoke and dim light obliterate the usual sensations and new kinds of perception are exposed. Then the shocking plunge under cold water and the razor sword through sky.

This is the same transformative potential of music, at least the kind of music that Mount Eerie has been attempting for the past few years. Carefully built worlds of sound and sensation, large weights and clear ideas, depth shown through simple moments. The singer is standing on the street in the rain, considering whether she hears a tractor idling or maybe an ancient memory of a mammoth tearing through brush. The view through the big windows at the airport in 2014.

Sauna is described as an “ultimate” Mount Eerie album, and something about it does feel final, or perhaps the beginning of something new and big. The songs narrow these ideas to tight moments, a honed thesis.

The compositions are complicated and grown-up, the instrumentation is gnarly and big, the pictures are painted bright. Recorded fully analog on 24 tracks at the Unknown (the reclaimed old wood church in Anacortes, Washington), this is certainly the most “hi-fi” Mount Eerie album ever made, while still sounding as raw as low tide in November. Phil Elverum is joined by singers Allyson Foster and Ashley Eriksson, cutting through the jet noise roar of the music with clear harmonic counterpoints.

Gongs flange, distorted bass arches its back, organs blanket the room, the piano is half-swallowed. Are those drums or lumber? Flutes or laughter? Actual audible steam hangs in the branches.
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