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Track List
01) I Am a Little Explosion
02) 5 Alive
03) Chameleon
04) Dead Man
05) Trunk Fulla Amps
06) Pattycake
07) Ordinaire
08) Miracleworker
09) Hi, My Name's Cindy
10) What a Fool Believes
11) 9 Lives
12) Ilovetoloveyourlovemylove
13) Trunk Fulla Amps (edit)
14) Resurrect
01) I Am a Little Explosion
02) 5 Alive
03) Chameleon
04) Dead Man
05) Trunk Fulla Amps
06) Pattycake
07) Ordinaire
08) Miracleworker
09) Hi, My Name's Cindy
10) What a Fool Believes
11) 9 Lives
12) Ilovetoloveyourlovemylove
13) Trunk Fulla Amps (edit)
14) Resurrect
3:35
3:09
2:53
3:03
3:24
4:05
3:22
2:03
2:29
3:42
2:33
4:23
3:26
3:22
Data Complete 30%
Total Rating
Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2000
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Album Description
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In kicking off the new millennium, Matt Mahaffey and Self decided to try a novel (some might say novelty) approach, recording the entirety of Gizmodgery on toy instruments. Most of them are electronic: toy guitars, keyboards, and drums, plus various talking and beeping items like animals, robots, phones, and the like. Knowing how the music was created definitely adds to the enjoyment, but even if you didn't know what the gimmick was, you'd still hear a record full of charmingly low-budget electronics and surprisingly detailed production. It's still the sort of bright, sunny indie pop that constitutes Self's stock-in-trade, spiked with white-boy funk à la Beck. Mahaffey's playful, often kitschy sense of humor fits the tone of the whole project very well, and since the music has more than just novelty value, it's overall a pleasant success.
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In kicking off the new millennium, Matt Mahaffey and Self decided to try a novel (some might say novelty) approach, recording the entirety of Gizmodgery on toy instruments. Most of them are electronic: toy guitars, keyboards, and drums, plus various talking and beeping items like animals, robots, phones, and the like. Knowing how the music was created definitely adds to the enjoyment, but even if you didn't know what the gimmick was, you'd still hear a record full of charmingly low-budget electronics and surprisingly detailed production. It's still the sort of bright, sunny indie pop that constitutes Self's stock-in-trade, spiked with white-boy funk à la Beck. Mahaffey's playful, often kitschy sense of humor fits the tone of the whole project very well, and since the music has more than just novelty value, it's overall a pleasant success.
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