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Track List
01) Lost in the Sea
02) Sometimes
03) Places to Go
04) I Would
05) Not One
06) Everything I Got
07) By Morning
08) Movin' On
09) Should've Left You
10) Sunnyside
11) I Miss You
01) Lost in the Sea
02) Sometimes
03) Places to Go
04) I Would
05) Not One
06) Everything I Got
07) By Morning
08) Movin' On
09) Should've Left You
10) Sunnyside
11) I Miss You
2:27
4:19
3:01
3:13
4:30
4:07
3:22
4:14
3:16
3:17
4:27
Data Complete
50%
Total Rating
50%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2011
Indie
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Folk
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Medium
Album
0 copies
Album Description
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Despite focusing on one specific style of music, Leftover Cuties manage to find quite a few distinct sounds over the 12 tracks on Places to Go. The title track is a bit more contemporary than the rest of the album, in that its reminiscent of ‘50s doo-wop and early ‘60’s girl-group pop with its bouncy beat and stylophone synthesizer. “Not One” is a slow, dark song, made more eerie by Johnson’s restrained cymbal rolls and the quiet use of singing saw in the background. “By Morning” is a gentle blues track that finds Nicholsen subtly using hollow-body electric guitar under the chorus. The album hits its closing stretch with a pair of upbeat songs. The swinging “Should’ve Left You” is a catchy track that is crying out for a scat solo that never comes, and “Sunnyside” is appropriately the album’s brightest track. It’s not quite a reinterpretation of the jazz classic “Sunny Side of the Street”, but there’s definitely a resemblance in the music as well as the title.
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Despite focusing on one specific style of music, Leftover Cuties manage to find quite a few distinct sounds over the 12 tracks on Places to Go. The title track is a bit more contemporary than the rest of the album, in that its reminiscent of ‘50s doo-wop and early ‘60’s girl-group pop with its bouncy beat and stylophone synthesizer. “Not One” is a slow, dark song, made more eerie by Johnson’s restrained cymbal rolls and the quiet use of singing saw in the background. “By Morning” is a gentle blues track that finds Nicholsen subtly using hollow-body electric guitar under the chorus. The album hits its closing stretch with a pair of upbeat songs. The swinging “Should’ve Left You” is a catchy track that is crying out for a scat solo that never comes, and “Sunnyside” is appropriately the album’s brightest track. It’s not quite a reinterpretation of the jazz classic “Sunny Side of the Street”, but there’s definitely a resemblance in the music as well as the title.
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