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Track List
01) Dreamland
02) Pandemonium
03) Sexy Socialites
04) Jerk Out
05) Yount
06) Blondie
07) Donald Trump (Black version)
08) Chocolate
09) Cooking Class
10) Skillet
11) It's Your World
12) Sometimes I Get Lonely
13) Data Bank
14) My Summertime Thang
15) Pretty Little Women
01) Dreamland
02) Pandemonium
03) Sexy Socialites
04) Jerk Out
05) Yount
06) Blondie
07) Donald Trump (Black version)
08) Chocolate
09) Cooking Class
10) Skillet
11) It's Your World
12) Sometimes I Get Lonely
13) Data Bank
14) My Summertime Thang
15) Pretty Little Women
3:08
4:11
0:23
6:49
0:22
6:27
4:33
7:31
0:42
6:11
5:25
6:15
5:36
6:52
0:46
Data Complete 80%
Total Rating
Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1990
Funk
Energetic
Rock/Pop
---
Medium
Album
0 copies
Album Description
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"Pandemonium" ist das vierte Studioalbum der Band The Time. Es erschien am 10. Juli 1990 bei dem Label Reprise Records / Paisley Park Records und enthält 15 Songs, darunter die Singles "Jerk Out" und "Chocolate". Die Laufzeit des Albums beträgt 65 Minuten und 28 Sekunden. Im Gegensatz zu den vorherigen drei Alben von The Time komponierte, arrangierte, spielte und produzierte Prince nur fünf der 15 Songs. Sechs Wochen später, am 20. August 1990 erschien mit "Graffiti Bridge" das neue Studioalbum von Prince, auf dem The Time auf vier Songs mitwirkten.
Die Aufnahmen zu "Pandemonium" fanden 1989 und 1990 in Hollywood und den Paisley Park Studios in Chanhassen statt. Das Album erreichte in den amerikanischen Billboard Charts Platz 18 und erlangte Gold-Status. In Deutschland schaffte es das Album nicht in die Charts.
User Album Review
How frustrating it is that one of the most vital and dynamic bands of the 1980s, the Time, broke up after only three albums. When the Time reunited in 1990 after a six-year absence from the studio, there was excitement as well as cautious optimism in the R&B world. The big question: Would the chemistry still be there? And the answer turned out to be a definite "yes." Humorous, inventive, and unapologetically funky, Pandemonium is an excellent party album that's every bit as strong as its three predecessors. Leader Morris Day is as amusing and confident as ever, and the distinctive unit still used the influence of George Clinton and mentor Prince to great artistic advantage. Those who savored the Time's three previous albums will find that on gems like "Chocolate," "Jerk Out," and the rock-influenced "Blondie" (a fine vehicle for Jesse Johnson's electric guitar), the old magic asserts itself without hesitation. This is a disc that no fan of the Minneapolis sound should be without.
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User Comments
Available in:
"Pandemonium" ist das vierte Studioalbum der Band The Time. Es erschien am 10. Juli 1990 bei dem Label Reprise Records / Paisley Park Records und enthält 15 Songs, darunter die Singles "Jerk Out" und "Chocolate". Die Laufzeit des Albums beträgt 65 Minuten und 28 Sekunden. Im Gegensatz zu den vorherigen drei Alben von The Time komponierte, arrangierte, spielte und produzierte Prince nur fünf der 15 Songs. Sechs Wochen später, am 20. August 1990 erschien mit "Graffiti Bridge" das neue Studioalbum von Prince, auf dem The Time auf vier Songs mitwirkten.
Die Aufnahmen zu "Pandemonium" fanden 1989 und 1990 in Hollywood und den Paisley Park Studios in Chanhassen statt. Das Album erreichte in den amerikanischen Billboard Charts Platz 18 und erlangte Gold-Status. In Deutschland schaffte es das Album nicht in die Charts.
User Album Review
How frustrating it is that one of the most vital and dynamic bands of the 1980s, the Time, broke up after only three albums. When the Time reunited in 1990 after a six-year absence from the studio, there was excitement as well as cautious optimism in the R&B world. The big question: Would the chemistry still be there? And the answer turned out to be a definite "yes." Humorous, inventive, and unapologetically funky, Pandemonium is an excellent party album that's every bit as strong as its three predecessors. Leader Morris Day is as amusing and confident as ever, and the distinctive unit still used the influence of George Clinton and mentor Prince to great artistic advantage. Those who savored the Time's three previous albums will find that on gems like "Chocolate," "Jerk Out," and the rock-influenced "Blondie" (a fine vehicle for Jesse Johnson's electric guitar), the old magic asserts itself without hesitation. This is a disc that no fan of the Minneapolis sound should be without.
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