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Track List
01) Until It's Time for You to Go
02) Depende de nós
03) Little Man You've Had a Busy Day
04) Two Lonely People
05) A gente merece ser feliz
06) Golden Slumbers / Long and Winding Road
07) When She Loved Me
08) Born to Be Blue
09) Close
10) Night Night Stars
11) I Get Along Without You Very Well
12) Sing
13) I Wanna Be With You
14) What Are You Doing the Rest of Your Life
01) Until It's Time for You to Go
02) Depende de nós
03) Little Man You've Had a Busy Day
04) Two Lonely People
05) A gente merece ser feliz
06) Golden Slumbers / Long and Winding Road
07) When She Loved Me
08) Born to Be Blue
09) Close
10) Night Night Stars
11) I Get Along Without You Very Well
12) Sing
13) I Wanna Be With You
14) What Are You Doing the Rest of Your Life
6:00
4:32
5:16
4:53
5:27
7:19
2:54
4:22
4:19
3:08
4:12
5:13
4:36
6:33
Data Complete
40%
Total Rating
40%Total Rating
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CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2013
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Jazz
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Medium
Album
0 copies
Album Description
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There are distinctive Jane Monheit traits—the stretched notes, the dusky mewing, the ever-present tear in her voice—that can be her best or worst assets. Across the 14 tracks that fill The Heart of the Matter, her eighth studio album, the vote is split. When she ambles through the tender lullaby “Little Man You’ve Had a Busy Day” and the similar “Night Night Stars” (the first song she’s recorded that features self-penned words and music), Monheit’s softly maudlin style is affecting. But the pervasive gloom, far more evident here than on any of her preceding albums, can grow wearisome. Despite the best efforts of such accomplished collaborators as producer, pianist and accordionist Gil Goldstein, guitarist Romero Lubambo and bassist Neal Miner, what was surely intended as wistfulness too often turns leaden. When even as relentlessly peppy a number as Joe Raposo’s “Sing” is made to sound sad, you know you’re adrift in a windless sea.
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There are distinctive Jane Monheit traits—the stretched notes, the dusky mewing, the ever-present tear in her voice—that can be her best or worst assets. Across the 14 tracks that fill The Heart of the Matter, her eighth studio album, the vote is split. When she ambles through the tender lullaby “Little Man You’ve Had a Busy Day” and the similar “Night Night Stars” (the first song she’s recorded that features self-penned words and music), Monheit’s softly maudlin style is affecting. But the pervasive gloom, far more evident here than on any of her preceding albums, can grow wearisome. Despite the best efforts of such accomplished collaborators as producer, pianist and accordionist Gil Goldstein, guitarist Romero Lubambo and bassist Neal Miner, what was surely intended as wistfulness too often turns leaden. When even as relentlessly peppy a number as Joe Raposo’s “Sing” is made to sound sad, you know you’re adrift in a windless sea.
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