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Track List
01) Everywhere I Go
02) I Still Believe (Great Design)
03) Blood Red (America)
04) The Morning
05) Oklahoma
06) With or Without Reason
07) Sanctuary
08) Tore the Old Place Down
09) Even Now
01) Everywhere I Go
02) I Still Believe (Great Design)
03) Blood Red (America)
04) The Morning
05) Oklahoma
06) With or Without Reason
07) Sanctuary
08) Tore the Old Place Down
09) Even Now
4:21
5:32
3:45
4:44
4:19
4:05
4:01
4:15
4:40
Data Complete 80%
Total Rating
Total Rating
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1986
New Wave
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Rock/Pop
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Album
The Call Band Partnership LLC, under license to Triple Pop
31/100
197187451500
0 copies
Album Description
Available in:
Though none of the singles from The Call's Reconciled made a dent on the pop charts, the anthemic march "I Still Believe" and the galloping "Everywhere I Go" (with backup vocals by Jim Kerr and Peter Gabriel) both received significant AOR and college radio airplay. It significantly raised the profile of the quartet and their earnest, U2-like brand of rock. It is easy to apply spiritual overtones to the socially conscious lyrics, but the words are malleable enough to be mainstream and only on occasion become heavy handed ("Blood Red (America)"). Robbie Robertson plays guitar on the thundering stomp "The Morning" and the song itself has the same vibe as the band's later hit "Let the Day Begin." Some of the keyboards sound a bit dated, but, overall, Reconciled is enjoyable and established the band as one of the better purveyors of '80s "big music."
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Available in:
Though none of the singles from The Call's Reconciled made a dent on the pop charts, the anthemic march "I Still Believe" and the galloping "Everywhere I Go" (with backup vocals by Jim Kerr and Peter Gabriel) both received significant AOR and college radio airplay. It significantly raised the profile of the quartet and their earnest, U2-like brand of rock. It is easy to apply spiritual overtones to the socially conscious lyrics, but the words are malleable enough to be mainstream and only on occasion become heavy handed ("Blood Red (America)"). Robbie Robertson plays guitar on the thundering stomp "The Morning" and the song itself has the same vibe as the band's later hit "Let the Day Begin." Some of the keyboards sound a bit dated, but, overall, Reconciled is enjoyable and established the band as one of the better purveyors of '80s "big music."
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