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Track List
01) So Natural
02) Never Set Me Free
03) I Give You Everything
04) Marvellous & Mine
05) Goodbye
06) Little Bit of Heaven
07) Sweet Memories
08) She's Always There
09) Too Much Love Makin'
10) Turn Me On
11) Be Mine
12) In All the Right Places
13) Wish It Could Always Be This Way
01) So Natural
02) Never Set Me Free
03) I Give You Everything
04) Marvellous & Mine
05) Goodbye
06) Little Bit of Heaven
07) Sweet Memories
08) She's Always There
09) Too Much Love Makin'
10) Turn Me On
11) Be Mine
12) In All the Right Places
13) Wish It Could Always Be This Way
5:06
5:01
4:41
4:16
4:37
4:29
5:33
5:06
4:34
4:41
4:33
6:04
4:45
Data Complete
60%
Total Rating
60%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1993
Pop
Happy
Rock/Pop
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Album
0 copies
Album Description
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After achieving minor success as the lead singer of the U.K. trio Blue Zone and providing vocals for Coldcut's dancefloor classic "People Hold On," Lisa Stansfield established herself as a solo artist with her immensely successful 1989 debut album Affection. The combination of lush, Barry White-influenced arrangements and Stansfield's soulful voice proved wildly popular, and Stansfield became one of the hottest new international artists of the late '80s. Unfortunately, Stansfield's popularity slipped a bit with the follow-up, 1991's Real Love, but the album was still a respectable seller. So Natural, from 1993, failed to reestablish Stansfield as a major commercial force, but since the album was never released in the U. S., it's easy to understand why. Though So Natural pales in comparison to Affection and even Real Love, it certainly isn't bad, and the lack of an American release remains a mystery. Stansfield almost abandons the R&B-flavored dance-pop of her debut with So Natural. The album is definitely consistent, but the ballad-heavy approach wears thin. So Natural also lacks a surefire hit single, like Affection's "All Around the World" and "This Is the Right Time" or Real Love's "Change." But So Natural still offers many pleasant moments. The steamy ballads "Never Set Me Free" and "Be Mine" rank with Stansfield's best work, and the album does offer a couple of sunny, up-tempo numbers with "Too Much Love Makin'" and "Marvelous and Mine." So Natural does flow along quite nicely -- the only real clunker here is the bland, dated-sounding synth pop throwback "Little Bit of Heaven" -- but the album fails to deliver the memorable hooks of her biggest hits.
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Available in:
After achieving minor success as the lead singer of the U.K. trio Blue Zone and providing vocals for Coldcut's dancefloor classic "People Hold On," Lisa Stansfield established herself as a solo artist with her immensely successful 1989 debut album Affection. The combination of lush, Barry White-influenced arrangements and Stansfield's soulful voice proved wildly popular, and Stansfield became one of the hottest new international artists of the late '80s. Unfortunately, Stansfield's popularity slipped a bit with the follow-up, 1991's Real Love, but the album was still a respectable seller. So Natural, from 1993, failed to reestablish Stansfield as a major commercial force, but since the album was never released in the U. S., it's easy to understand why. Though So Natural pales in comparison to Affection and even Real Love, it certainly isn't bad, and the lack of an American release remains a mystery. Stansfield almost abandons the R&B-flavored dance-pop of her debut with So Natural. The album is definitely consistent, but the ballad-heavy approach wears thin. So Natural also lacks a surefire hit single, like Affection's "All Around the World" and "This Is the Right Time" or Real Love's "Change." But So Natural still offers many pleasant moments. The steamy ballads "Never Set Me Free" and "Be Mine" rank with Stansfield's best work, and the album does offer a couple of sunny, up-tempo numbers with "Too Much Love Makin'" and "Marvelous and Mine." So Natural does flow along quite nicely -- the only real clunker here is the bland, dated-sounding synth pop throwback "Little Bit of Heaven" -- but the album fails to deliver the memorable hooks of her biggest hits.
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