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Track List
01) Blessed
02) So in Love
03) Shame
04) All Cried Out Redux
05) Le BOOM Vent Suite
06) So Gone (What My Mind Says)
07) Hear My Call
08) Some Other Time
09) Quick
10) Making You Wait
11) Until Then (I Imagine)
12) Missing You
13) When I Wake Up
14) Womanifesto
15) Rolling Hills
16) The Light of the Sun
17) Love Soul Bounce
18) I Love You
01) Blessed
02) So in Love
03) Shame
04) All Cried Out Redux
05) Le BOOM Vent Suite
06) So Gone (What My Mind Says)
07) Hear My Call
08) Some Other Time
09) Quick
10) Making You Wait
11) Until Then (I Imagine)
12) Missing You
13) When I Wake Up
14) Womanifesto
15) Rolling Hills
16) The Light of the Sun
17) Love Soul Bounce
18) I Love You
3:26
4:35
3:32
2:57
9:00
4:39
3:46
2:18
1:49
4:08
3:41
4:11
4:13
2:03
4:47
6:26
3:34
2:56
Data Complete 70%
Total Rating
Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2011
Soul
Happy
Urban/R&B
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Album
0 copies
Album Description
Available in:
The Light of the Sun is the fourth studio album by American recording artist Jill Scott, released June 21, 2011, on Blues Babe Records and Warner Bros. Records. It is her first release by the label, following her four-year hiatus from recording music and departure from former label Hidden Beach Recordings. Production for the album took place at several recording studios and was handled primarily by Scott and collaborator JR Hutson. Music writers have noted the album for its neo soul sound, element of improvisation, and Scott's feminine themes.
The album debuted at number one on the US Billboard 200 chart, selling 135,000 copies in its first week. It became Scott's first US number-one album and produced three singles, including the Billboard R&B hits "So in Love" and "Blessed". Upon its release, The Light of the Sun received positive reviews from most music critics. Scott is currently promoting the album with her Summer Block Party concert tour.
User Album Review
The Light of the Sun feels like the sort of album made by someone who’s busy doing something else: in Jill Scott’s case her acting, bringing up her child and recovering from a broken heart. This doesn’t mean, however, that it feels as if her music is taking second place to all these other matters. In fact, the album feels like the rush of somebody being able to celebrate/commiserate while on the run. Hence the album has a looseness, an unfinished air, and it revels in its spontaneity. There is studio chatter and laughter left on the tape, capturing a freewheeling vibe. Opener Blessed is a lovely, touching tribute to her son – with lines such as "I love the studio, but I love him more," it is a sincere celebration of motherhood. So In Love, a sweet and sprightly duet with Anthony Hamilton, is sun-kissed radio-friendly soul that references the past and showcases her beautiful voice.
Shame, which features Eve, works with a soupcon of the goodtime bluebeat of Shame, Shame, Shame by Shirley & Company and gives it a killer shuffle. Doug E. Fresh, the human beatbox, pops up on Scott’s sassy street strut All Cried Out Redux. Missing You has a wafting insouciance that has the makings of becoming a quiet-storm classic; this lazy vibe is continued on When I Wake Up. Womanifesto is incredible: it takes the listener back to her poet roots, outlining the attributes of womanhood with a sassy rap. There is a real sadness here too, though. Hear My Call is where Scott’s mask of positivity slips. It is a straight prayer, which sounds not unlike Kate Bush or Prince at their most pensive. Quick ("The way it happened / The way you left me") reflects on the breakdown of her relationship; yet a song of such pathos is delivered with a sprightly jazz bounce to sugar the pill, and clocks in at just under 2 minutes. At times The Light of the Sun veers towards self-indulgence, and some of its ideas are not fully followed through. On the whole, however, it is a rather lovely, emotional album that provides a beguiling snapshot of the current life of Jill Scott.
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User Comments
Available in:
The Light of the Sun is the fourth studio album by American recording artist Jill Scott, released June 21, 2011, on Blues Babe Records and Warner Bros. Records. It is her first release by the label, following her four-year hiatus from recording music and departure from former label Hidden Beach Recordings. Production for the album took place at several recording studios and was handled primarily by Scott and collaborator JR Hutson. Music writers have noted the album for its neo soul sound, element of improvisation, and Scott's feminine themes.
The album debuted at number one on the US Billboard 200 chart, selling 135,000 copies in its first week. It became Scott's first US number-one album and produced three singles, including the Billboard R&B hits "So in Love" and "Blessed". Upon its release, The Light of the Sun received positive reviews from most music critics. Scott is currently promoting the album with her Summer Block Party concert tour.
User Album Review
The Light of the Sun feels like the sort of album made by someone who’s busy doing something else: in Jill Scott’s case her acting, bringing up her child and recovering from a broken heart. This doesn’t mean, however, that it feels as if her music is taking second place to all these other matters. In fact, the album feels like the rush of somebody being able to celebrate/commiserate while on the run. Hence the album has a looseness, an unfinished air, and it revels in its spontaneity. There is studio chatter and laughter left on the tape, capturing a freewheeling vibe. Opener Blessed is a lovely, touching tribute to her son – with lines such as "I love the studio, but I love him more," it is a sincere celebration of motherhood. So In Love, a sweet and sprightly duet with Anthony Hamilton, is sun-kissed radio-friendly soul that references the past and showcases her beautiful voice.
Shame, which features Eve, works with a soupcon of the goodtime bluebeat of Shame, Shame, Shame by Shirley & Company and gives it a killer shuffle. Doug E. Fresh, the human beatbox, pops up on Scott’s sassy street strut All Cried Out Redux. Missing You has a wafting insouciance that has the makings of becoming a quiet-storm classic; this lazy vibe is continued on When I Wake Up. Womanifesto is incredible: it takes the listener back to her poet roots, outlining the attributes of womanhood with a sassy rap. There is a real sadness here too, though. Hear My Call is where Scott’s mask of positivity slips. It is a straight prayer, which sounds not unlike Kate Bush or Prince at their most pensive. Quick ("The way it happened / The way you left me") reflects on the breakdown of her relationship; yet a song of such pathos is delivered with a sprightly jazz bounce to sugar the pill, and clocks in at just under 2 minutes. At times The Light of the Sun veers towards self-indulgence, and some of its ideas are not fully followed through. On the whole, however, it is a rather lovely, emotional album that provides a beguiling snapshot of the current life of Jill Scott.
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