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Track List
01) Slow Train
02) Dust Bowl
03) Tennessee Plates
04) The Meaning of the Blues
05) Black Lung Heartache
06) You Better Watch Yourself
07) The Last Matador of Bayonne
08) Heartbreaker
09) No Love on the Street
10) The Whale That Swallowed Jonah
11) Sweet Rowena
12) Prisoner
01) Slow Train
02) Dust Bowl
03) Tennessee Plates
04) The Meaning of the Blues
05) Black Lung Heartache
06) You Better Watch Yourself
07) The Last Matador of Bayonne
08) Heartbreaker
09) No Love on the Street
10) The Whale That Swallowed Jonah
11) Sweet Rowena
12) Prisoner
6:49
4:33
4:18
5:44
4:14
3:30
5:23
5:49
6:32
4:46
4:34
6:48
Data Complete 80%
Total Rating
Total Rating
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2011
Rock
Gritty
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Medium
Album
0 copies
Album Description
Available in:
For his second solo album in a year -- not counting his excursion with Black Country Communion -- Joe Bonamassa, the hardest working blues-rock guitarist of the 21st century, strikes up a bit of a smoky Black Keys vibe, signaling that he’s not quite as devoted to the past as he may initially seem. It’s not the only trick he has up his sleeve, either. Appropriately enough for an album entitled Dust Bowl, Bonamassa kicks up some country dirt on this record, enlisting John Hiatt for a duet on the songwriter’s “Tennessee Plates” and bringing Vince Gill in to play on the lazy shuffle “Sweet Rowena.” These are accents to an album that otherwise sticks to Bonamassa’s strong suit of blues in the vein of Cream, Stevie Ray, and Gary Moore, but it’s just enough of a difference to give Dust Bowl a distinctive flavor and suggests that the guitarist’s constant work is pushing him to synthesize his clear influences into something that is uniquely his own.
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Available in:
For his second solo album in a year -- not counting his excursion with Black Country Communion -- Joe Bonamassa, the hardest working blues-rock guitarist of the 21st century, strikes up a bit of a smoky Black Keys vibe, signaling that he’s not quite as devoted to the past as he may initially seem. It’s not the only trick he has up his sleeve, either. Appropriately enough for an album entitled Dust Bowl, Bonamassa kicks up some country dirt on this record, enlisting John Hiatt for a duet on the songwriter’s “Tennessee Plates” and bringing Vince Gill in to play on the lazy shuffle “Sweet Rowena.” These are accents to an album that otherwise sticks to Bonamassa’s strong suit of blues in the vein of Cream, Stevie Ray, and Gary Moore, but it’s just enough of a difference to give Dust Bowl a distinctive flavor and suggests that the guitarist’s constant work is pushing him to synthesize his clear influences into something that is uniquely his own.
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