Album Title
Michael Jackson
Artist Icon Bad (1987)
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First Released

Calendar Icon 1987

Genre

Genre Icon Pop

Mood

Mood Icon Quirky

Style

Style Icon Rock/Pop

Theme

Theme Icon ---

Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Epic

World Sales Figure

Sales Icon 45,000,000 copies

Album Description
Available in: Country Icon Country Icon Country Icon Country Icon Country Icon
Bad er det sjuende studioalbumet med den amerikanske pop-artisten Michael Jackson, utgitt i 1987. Etter gigantsuksessen med Thriller laget Jackson og produsent Quincy Jones et godt oppfølgeralbum som solgte 30 millioner på verdensbasis. Albumet fikk 8x platina i USA.

Jackson ble den første (og er fortsatt den eneste) som fikk fem sanger på 1. plass på hitlistene fra ett og samme album. Dette var det siste albumet der Jackson og Quincy Jones samarbeidet. «Weird Al» Yankovic parodierte albumet med sitt album Even Worse. Bad World Tour trakk til seg 4,4 millioner fans og hadde en inntekt på 125 millioner USD.

I 2003 kom Bad på 202. plass på musikkmagasinet Rolling Stones liste over «Tidenes 500 beste album».
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User Album Review
A multi-million-unit-shifter, Bad was (and remains) as important to 1980s pop culture as the rise of the Walkman, the Back to the Future movies, and the shooting of JR. Like 1982’s Thriller, it’s an album that appeared to easily find a home within the record collection of rockers and poppers, punks and poets alike.
Ubiquity comes cheap in 2012 (thanks, internet), but in 1987, it was earned by being the best of the best. And Bad was just that: almost a greatest hits package, it spawned nine hit singles. Its chart campaign didn’t begin with the title cut, but with I Just Can’t Stop Loving You, a number one in both the US and UK. In Britain, Bad (the song) peaked at 3, as Rick Astley sat atop the pile.
The title track rocketed to No.1 in the US, followed by The Way You Make Me Feel, Man in the Mirror and Dirty Diana. Jackson’s star was at its zenith across the 1980s – but fame never guarantees critical approval. Yet Bad was as well-received in the press as it was by Jackson’s fans. It’s a special rarity: a commercial behemoth with nary a lapse in quality across its 48 minutes.
Quincy Jones’ production is tight yet yielding, every song allowed to breathe and never cluttered by needless elements. Dirty Diana is remarkably lean, Steve Stevens’ flamboyant guitar aside, yet powerful too. Speed Demon, deemed “filler” by critics at the time, is fun funk-rock that’d sit happily on a Prince album of the period, compositionally if not lyrically.
Unreleased demos make up the majority of this anniversary release’s second disc. Amongst the most interesting are Song Groove (A/K/A Abortion Papers) and Price of Fame. The former, aggressive of percussion yet light of synth, is about a Christian girl carrying an unwanted pregnancy. “Michael knew (it) could be controversial,” read the accompanying notes; but Jackson handles the subject matter with tenderness.
Price of Fame addresses the pressures Jackson felt as a pop idol. Of his obsessed followers, he wrote: “They’ll do anything and it’s breaking my heart… It’s running me crazy.” It is, perhaps, a first instance of the cracks that’d soon spread. But nothing that was to come in Jackson’s career could ever take the shine off this awesome, evergreen and essential pop masterpiece.


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