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One Way Ticket to Hell... and Back es el segundo álbum de la banda, lanzado por Atlantic Records y grabado en los Bernie Grundman Studios de Los Ángeles y Chapel Studios de Lincolnshire en 2005.
Bajo la producción del legendario Roy Thomas Baker (Queen, The Cars), The Darkness elevó su teatralidad hasta niveles casi operísticos. Las canciones suenan grandiosas, cargadas de cuerdas, coros y humor absurdo.
Sin embargo, la presión del éxito y las tensiones internas empezaron a fracturar el grupo, y poco después Justin Hawkins abandonó, agotado y atrapado por la fama. El disco fue incomprendido en su momento, pero con el tiempo se ha revalorizado como una joya barroca del rock moderno.
User Album Review
What opens with pan-pipes, closes with rock opera, and has septums, prize marrows and Knockers in-between? It's The Darkness' rockin' new album.
The release of previous album Permission To Land was one of the events of 2003 but many believed that the band simply couldn't follow it.
The truth is that One Way... doesn't shock like Permission, but neither does it fall short. The Hawkins boys know what we like about them and are happy to keep on giving. Riffs rampantly fly about, Justin's falsetto careers around with his trademark humour and the influences have been pared down to a prog mix of Queen and AC/DC.
Shockingly, it all points to one thing - The Darkness actually have a career ahead of them. The joke, it seems, is on us.
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