(1 users) 
Cover NOT yet available in
Join up for 4K upload/download access
Your Rating (Click a star below)
Track List
01) Intro
02) Self Concious
03) Jesus Walks (Intro)
04) Jesus Walks
05) Two Words
06) The Good, the Bad, the Ugly
07) Breathe In, Breathe Out
08) Keep the Receipt
09) Heavy Hitters
10) Slow Jamz
11) My Way
12) Family Affair
13) Through the Wire
14) Never Let Me Down
15) Home
16) Through the Wire (remix)
17) Wack Niggaz
18) I Need to Know
01) Intro
02) Self Concious
03) Jesus Walks (Intro)
04) Jesus Walks
05) Two Words
06) The Good, the Bad, the Ugly
07) Breathe In, Breathe Out
08) Keep the Receipt
09) Heavy Hitters
10) Slow Jamz
11) My Way
12) Family Affair
13) Through the Wire
14) Never Let Me Down
15) Home
16) Through the Wire (remix)
17) Wack Niggaz
18) I Need to Know
1:20
3:46
0:52
3:32
4:28
4:13
5:26
3:31
3:04
5:00
3:26
4:41
4:37
4:32
4:05
2:20
1:45
2:25
Data Complete 80%
Total Rating
Total Rating
(3 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2003
Hip-Hop
Confrontational
Urban/R&B
---
Medium
Album
4,000,000 copies
Album Description
Available in:
The College Dropout (2004) est le premier album du rappeur américain Kanye West, paru le 10 février sur le label Roc-A-Fella Records.
Enregistré sur quatre ans et entièrement produit par West, l'opus impose une production hip-hop soul et mélodique. S'éloignant de l'imagerie gangsta rap de l'époque, les textes abordent la famille, la religion, le matérialisme et les luttes personnelles, avec les contributions de Jay-Z, John Legend ou Syleena Johnson.
Salué par la critique, ce disque a remporté le Grammy Award du meilleur album rap et s'est écoulé à plus de quatre millions d'exemplaires dans le monde, s'imposant comme une œuvre majeure du genre.
User Album Review
Hard to believe, but there was a time before Kanye West ”“ an age where we had to make do without this unshakably confident MC/producer, with his grand media pronouncements, goofy Twitter philosophy, and reliably excellent hip hop records. That Kanye today is perhaps hip hop’s most high-profile face is a lot to do with 2004’s The College Dropout.
At the time of its release, Kanye was probably best known as a producer, his pitched-up soul samples and gleaming synths gracing numerous records from Jay-Z’s Roc-A-Fella label (most notably, Hova’s own career high water mark, The Blueprint). Here, though, Kanye pulled off an audacious stunt that only one with his towering ego would dare attempt: to transform himself not just into a rapper, but a mainstream hit-maker, with a career plan ”“ from dropout to graduate, and beyond ”“ sketched out in front of him.
That he pulls it off is a lot to do with his peculiar proximity to mainstream hip hop culture. Sure, the opening We Don’t Care boasts a chorus that nods to the hard-knock ghetto narrative ”“ “Drug-dealing just to get by / Stacking money ‘til it gets sky high” ”“ but it does it with bright horns and a sunny, sing-song hook. As a couple of School Spirit skits make crystal-clear, Kanye is no thug: he’s preppy, God-fearing, a lover not a fighter, and his ingenious rhymes and easy charm come like a breath of fresh air.
So, Jesus Walks and Through the Wire balance laid-back beats with frightening confidence; the latter finds Kanye relating the aftermath of a near-fatal car crash over a helium-treated Chaka Khan hook, as if convinced of his own invincibility. Slow Jamz, with Twista and Jamie Foxx, pays tribute to the boudoir-friendly tunes of Marvin Gaye and Luther Vandross. And while West himself shows little sign of flagging, guest spots from the likes of Jay-Z, Ludacris, Common and Mos Def ensure it’s a treat from start to close.
External Album Reviews
None...
User Comments
Available in:
The College Dropout (2004) est le premier album du rappeur américain Kanye West, paru le 10 février sur le label Roc-A-Fella Records.
Enregistré sur quatre ans et entièrement produit par West, l'opus impose une production hip-hop soul et mélodique. S'éloignant de l'imagerie gangsta rap de l'époque, les textes abordent la famille, la religion, le matérialisme et les luttes personnelles, avec les contributions de Jay-Z, John Legend ou Syleena Johnson.
Salué par la critique, ce disque a remporté le Grammy Award du meilleur album rap et s'est écoulé à plus de quatre millions d'exemplaires dans le monde, s'imposant comme une œuvre majeure du genre.
User Album Review
Hard to believe, but there was a time before Kanye West ”“ an age where we had to make do without this unshakably confident MC/producer, with his grand media pronouncements, goofy Twitter philosophy, and reliably excellent hip hop records. That Kanye today is perhaps hip hop’s most high-profile face is a lot to do with 2004’s The College Dropout.
At the time of its release, Kanye was probably best known as a producer, his pitched-up soul samples and gleaming synths gracing numerous records from Jay-Z’s Roc-A-Fella label (most notably, Hova’s own career high water mark, The Blueprint). Here, though, Kanye pulled off an audacious stunt that only one with his towering ego would dare attempt: to transform himself not just into a rapper, but a mainstream hit-maker, with a career plan ”“ from dropout to graduate, and beyond ”“ sketched out in front of him.
That he pulls it off is a lot to do with his peculiar proximity to mainstream hip hop culture. Sure, the opening We Don’t Care boasts a chorus that nods to the hard-knock ghetto narrative ”“ “Drug-dealing just to get by / Stacking money ‘til it gets sky high” ”“ but it does it with bright horns and a sunny, sing-song hook. As a couple of School Spirit skits make crystal-clear, Kanye is no thug: he’s preppy, God-fearing, a lover not a fighter, and his ingenious rhymes and easy charm come like a breath of fresh air.
So, Jesus Walks and Through the Wire balance laid-back beats with frightening confidence; the latter finds Kanye relating the aftermath of a near-fatal car crash over a helium-treated Chaka Khan hook, as if convinced of his own invincibility. Slow Jamz, with Twista and Jamie Foxx, pays tribute to the boudoir-friendly tunes of Marvin Gaye and Luther Vandross. And while West himself shows little sign of flagging, guest spots from the likes of Jay-Z, Ludacris, Common and Mos Def ensure it’s a treat from start to close.
External Album Reviews
None...
User Comments
No comments yet...
Status
unlockedExternal Links
