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First Released
1974
Electronic
High
Electronic
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Medium
Album
0 copies
Album Description
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Autobahn (1974) marque l'acte de naissance de la pop électronique moderne, scellant la transition de Kraftwerk du Krautrock expérimental vers une esthétique purement synthétique. Porté par son titre éponyme — une fresque sonore de 22 minutes condensée pour la radio —, l'album connut un succès planétaire inattendu, s'imposant dans les charts européens et américains comme un manifeste de la modernité technologique. Cet opus, le dernier produit par Conny Plank avant que le groupe ne se retranche dans son mythique studio Kling Klang, signe l'abandon des instruments conventionnels au profit des séquenceurs et de la batterie électronique de Wolfgang Flür. Illustré par Emil Schult dans un style évoquant l'optimisme industriel de l'Allemagne d'après-guerre, Autobahn demeure une œuvre séminale dont l'influence sur la musique assistée par ordinateur et l'électro-pop est aujourd'hui consacrée par son entrée au Grammy Hall of Fame.
User Album Review
Autobahn is an iconic record made up of several essential elements: the graphic motorway symbol on the cover, the slamming of a car door and starting of an engine that precede the music, the rasping vocals and the whoosh that imitates the approach and passing of cars. It’s a 22-minute synthetic symphony to the possibilities of road travel that combines seemingly innocent enthusiasm with a note of deep caution.
Its melodic progress and the sheer pleasure taken in exploring the sonic possibilities of the newly available synthesizer make it as accessible to an eight-year-old as the most wizened critic. Although the lyrics of the title track hint briefly at the presence of nature in the sun’s glittering rays and the green edge of the motorway, it’s roundly addressed by the suite on the original b side of the record. Although less familiar, the four instrumentals represent a counterbalance to the harsh industrial daylight of Autobahn. They trace a journey that takes in night-time comets, an eerie midnight and ends with a morning walk serenaded by flutes and acoustic piano.
The motorway is an all-too-familiar presence in our lives, but listen to parts of the title track – for example, the passage that begins 10 minutes in – and it’s clear that Kraftwerk are holding up a mirror to the world to reveal its strangeness. Although the group have occasionally been chastised for failing to present a more critical perspective, Autobahn’s deliberate ambiguity is an essential aspect of art and has ensured its longevity 35 years after its original release.
Autobahn is the first of eight albums that Kraftwerk have chosen to re-master and re-release. Although a controversial decision in some quarters, its predecessors Kraftwerk 1 and 2 are lesser works that lack the thematic unity and musical distinction of the rest of the group’s oeuvre. As with the other reissues, much effort has clearly been devoted to the remastering and presentation of the work and the uniting of Emil Schult’s illustrations with the UK motorway symbol is particularly satisfying. Absolutely essential.
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User Comments
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Autobahn (1974) marque l'acte de naissance de la pop électronique moderne, scellant la transition de Kraftwerk du Krautrock expérimental vers une esthétique purement synthétique. Porté par son titre éponyme — une fresque sonore de 22 minutes condensée pour la radio —, l'album connut un succès planétaire inattendu, s'imposant dans les charts européens et américains comme un manifeste de la modernité technologique. Cet opus, le dernier produit par Conny Plank avant que le groupe ne se retranche dans son mythique studio Kling Klang, signe l'abandon des instruments conventionnels au profit des séquenceurs et de la batterie électronique de Wolfgang Flür. Illustré par Emil Schult dans un style évoquant l'optimisme industriel de l'Allemagne d'après-guerre, Autobahn demeure une œuvre séminale dont l'influence sur la musique assistée par ordinateur et l'électro-pop est aujourd'hui consacrée par son entrée au Grammy Hall of Fame.
User Album Review
Autobahn is an iconic record made up of several essential elements: the graphic motorway symbol on the cover, the slamming of a car door and starting of an engine that precede the music, the rasping vocals and the whoosh that imitates the approach and passing of cars. It’s a 22-minute synthetic symphony to the possibilities of road travel that combines seemingly innocent enthusiasm with a note of deep caution.
Its melodic progress and the sheer pleasure taken in exploring the sonic possibilities of the newly available synthesizer make it as accessible to an eight-year-old as the most wizened critic. Although the lyrics of the title track hint briefly at the presence of nature in the sun’s glittering rays and the green edge of the motorway, it’s roundly addressed by the suite on the original b side of the record. Although less familiar, the four instrumentals represent a counterbalance to the harsh industrial daylight of Autobahn. They trace a journey that takes in night-time comets, an eerie midnight and ends with a morning walk serenaded by flutes and acoustic piano.
The motorway is an all-too-familiar presence in our lives, but listen to parts of the title track – for example, the passage that begins 10 minutes in – and it’s clear that Kraftwerk are holding up a mirror to the world to reveal its strangeness. Although the group have occasionally been chastised for failing to present a more critical perspective, Autobahn’s deliberate ambiguity is an essential aspect of art and has ensured its longevity 35 years after its original release.
Autobahn is the first of eight albums that Kraftwerk have chosen to re-master and re-release. Although a controversial decision in some quarters, its predecessors Kraftwerk 1 and 2 are lesser works that lack the thematic unity and musical distinction of the rest of the group’s oeuvre. As with the other reissues, much effort has clearly been devoted to the remastering and presentation of the work and the uniting of Emil Schult’s illustrations with the UK motorway symbol is particularly satisfying. Absolutely essential.
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