Album Title

Red Hot Chili Peppers

Californication (1999)

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First Released

Calendar Icon 1999

Genre

Genre Icon Alternative Rock

Mood

Mood Icon Moody

Style

Style Icon Rock/Pop

Theme

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Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Warner Bros. Records

World Sales Figure

Sales Icon 4,000,000 copies

Album Description
Available in: Country Icon Country Icon Country Icon
“Californication” es el séptimo álbum de los Red Hot Chili Peppers, lanzado en 1999 y producido por Rick Rubin.

Frusciante regresó, limpio y luminoso, y todo volvió a encajar. El sonido se volvió más melódico, más cinematográfico, sin perder su groove. El álbum está lleno de himnos: “Scar Tissue”, “Otherside”, “Californication”, “Around the World”.

Era una resurrección pública y personal. Las letras hablan de redención, belleza y decadencia californiana.

Vendieron millones y recuperaron el alma.
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User Album Review
It was the album that confirmned them as world class. - Dennis O'Dell, 2009-01-05


Everyone's favourite sock wearing funk rockers had, by 1998, been through the mill. Drugs, death, divorce, heartache and some dodgy acting jobs do not a happy bunch of Californians make. It was bassist Flea's visit to former guitarist John Frusciante, asking him to re-join the band which saved the day (in place of Dave Navarro who, himself, had exited stage left pursued by his own chemical demons). At first befuddled by reativity without the aid of stimulants, Frusciante in sessions at home started melding with his old bandmates and Californication- the band's most succesful album - was born.

On the surface filled with the usual punk funk, the band had now matured enough to make it sound more convincing. Keidis' voice, ravaged by age and excess, now emerged as a mighty instrument, while Frusciante's guitar held far more subtle nuance.

The album yielded four hit singles (Around the World, Otherside, Californication and the Grammy Award”“winning Scar Tissue) but even more interesting waas the way the band let more than just fun and frolics into the mix. Frusciante on Get On Top even fused Public Enemy with prog rock, admittting that his unsdersatated solo had been influenced by Steve Howe of Yes.

Overall the album has a far more meditative feel, allowing you to finally believe that they'd come to do more than just party your town dry. It was the album that confirmned them as world class. They remain such today, and it's all down to this re-birth.


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