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Track List
01) Meds
02) Infra-Red
03) Drag
04) Space Monkey
05) Follow the Cops Back Home
06) Post Blue
07) Because I Want You
08) Blind
09) Pierrot the Clown
10) Broken Promise
11) One of a Kind
12) In the Cold Light of Morning
13) Song to Say Goodbye
01) Meds
02) Infra-Red
03) Drag
04) Space Monkey
05) Follow the Cops Back Home
06) Post Blue
07) Because I Want You
08) Blind
09) Pierrot the Clown
10) Broken Promise
11) One of a Kind
12) In the Cold Light of Morning
13) Song to Say Goodbye
2:57
3:18
3:23
3:53
4:42
3:14
3:24
4:03
4:24
4:15
3:23
3:55
3:36
Data Complete 80%
Total Rating
Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2006
Alternative Rock
Bittersweet
Rock/Pop
Drinking
Medium
Album
1,100,000 copies
Album Description
Available in:
“Meds” es el quinto álbum de Placebo, lanzado en 2006 y producido por Dimitri Tikovoi.
Es su regreso a la crudeza: guitarras directas, atmósfera claustrofóbica, letras sobre dependencia y desintegración. El disco suena como un diagnóstico: la banda expone la cara enferma del amor moderno. “Infra-Red”, “Because I Want You” y “Song to Say Goodbye” son himnos del agotamiento emocional, mientras “Follow the Cops Back Home” ofrece una extraña ternura en medio del desorden.
Meds fue grabado casi en vivo, buscando un sonido más humano y menos procesado, como si Placebo quisieran recordarse a sí mismos que todavía estaban vivos.
User Album Review
With 2004's release of Placebo's singles collection, the band reaffirmed that it has never quite fit into any particular fad. Their success has been gradual in the sense that their style and sound have progressed naturally with each album. Meds builds upon that notion while also embarking on a new phase for Placebo. Meds is their second coming. Frontman Brian Molko is no longer the glam-chic, gender-bending firestarter he once was. His songs are still angry and twisted in self-reflection and social rejection. Meds doesn't contain the rush to experiment like their previous records do. It's as bare and honest as Placebo have ever been, thanks to French producer Dimitri Tikovoi's straightforward approach in getting the band to make a bona fide rock record. There's a fresh vulnerability here and a sense of danger, too; the album's title track quickly enters this sphere. It's an obsessive moment confronting the social hypnosis and dependence of medication. The Kills' Alison Mosshart lends an anxious vocal backdrop as Placebo deliver an aggressive guitar-driven assault. Meds doesn't stop for breath until its end. Fans should be pleased with the menacing "Infra-Red" and the sexy ensnaring of "One of a Kind," two tracks that showcase Placebo's signature fiery performance style. When they're not deconstructing social expectations, Placebo's storytelling is equally powerful on the more lilting tracks. The shifty slow burn of "Space Monkey" is an epic ballad for the band. Placebo step out of their skin here. A squall of fuzzed guitars, strings, and Molko's brooding vocals strike to knock down the celebrity pedestal that creates a false human image. "Broken Promise," a duet with Michael Stipe, takes similar shape as a dramatic tale of adultery unfolds into a dark, emotional storm. Letting go of toxic relationships on "Song to Say Goodbye," a melancholic closing to Meds, brings the album full circle. To some, Meds might come off as less interesting compared to the slickness of older tracks such as "Taste in Men" and "Every You Every Me." Some may be over Molko's constant analysis of sex, drugs, and desire. What you see is what you get with Placebo and, for the first time in a long time, that vision is clear.
External Album Reviews
None...
User Comments
Available in:
“Meds” es el quinto álbum de Placebo, lanzado en 2006 y producido por Dimitri Tikovoi.
Es su regreso a la crudeza: guitarras directas, atmósfera claustrofóbica, letras sobre dependencia y desintegración. El disco suena como un diagnóstico: la banda expone la cara enferma del amor moderno. “Infra-Red”, “Because I Want You” y “Song to Say Goodbye” son himnos del agotamiento emocional, mientras “Follow the Cops Back Home” ofrece una extraña ternura en medio del desorden.
Meds fue grabado casi en vivo, buscando un sonido más humano y menos procesado, como si Placebo quisieran recordarse a sí mismos que todavía estaban vivos.
User Album Review
With 2004's release of Placebo's singles collection, the band reaffirmed that it has never quite fit into any particular fad. Their success has been gradual in the sense that their style and sound have progressed naturally with each album. Meds builds upon that notion while also embarking on a new phase for Placebo. Meds is their second coming. Frontman Brian Molko is no longer the glam-chic, gender-bending firestarter he once was. His songs are still angry and twisted in self-reflection and social rejection. Meds doesn't contain the rush to experiment like their previous records do. It's as bare and honest as Placebo have ever been, thanks to French producer Dimitri Tikovoi's straightforward approach in getting the band to make a bona fide rock record. There's a fresh vulnerability here and a sense of danger, too; the album's title track quickly enters this sphere. It's an obsessive moment confronting the social hypnosis and dependence of medication. The Kills' Alison Mosshart lends an anxious vocal backdrop as Placebo deliver an aggressive guitar-driven assault. Meds doesn't stop for breath until its end. Fans should be pleased with the menacing "Infra-Red" and the sexy ensnaring of "One of a Kind," two tracks that showcase Placebo's signature fiery performance style. When they're not deconstructing social expectations, Placebo's storytelling is equally powerful on the more lilting tracks. The shifty slow burn of "Space Monkey" is an epic ballad for the band. Placebo step out of their skin here. A squall of fuzzed guitars, strings, and Molko's brooding vocals strike to knock down the celebrity pedestal that creates a false human image. "Broken Promise," a duet with Michael Stipe, takes similar shape as a dramatic tale of adultery unfolds into a dark, emotional storm. Letting go of toxic relationships on "Song to Say Goodbye," a melancholic closing to Meds, brings the album full circle. To some, Meds might come off as less interesting compared to the slickness of older tracks such as "Taste in Men" and "Every You Every Me." Some may be over Molko's constant analysis of sex, drugs, and desire. What you see is what you get with Placebo and, for the first time in a long time, that vision is clear.
External Album Reviews
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