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Track List
01) Smooth Operator
02) Your Love Is King
03) Hang on to Your Love
04) Frankie's First Affair
05) When Am I Going to Make a Living
06) Cherry Pie
07) Sally
08) I Will Be Your Friend
09) Why Can't We Live Together?
01) Smooth Operator
02) Your Love Is King
03) Hang on to Your Love
04) Frankie's First Affair
05) When Am I Going to Make a Living
06) Cherry Pie
07) Sally
08) I Will Be Your Friend
09) Why Can't We Live Together?
4:57
3:55
5:56
4:34
3:26
6:17
5:19
4:41
5:28
Data Complete 90%
Total Rating
Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1984
Soul
Dreamy
Urban/R&B
---
Medium
Album
0 copies
Album Description
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Sorti le 16 juillet 1984 au Royaume-Uni chez Epic Records, Diamond Life est le premier album studio du groupe britannique Sade.
Porté par le succès immédiat des singles « Your Love Is King » et « When Am I Going to Make a Living », l'album s'est imposé comme un triomphe commercial instantané, atteignant la 2e place des charts britanniques et y restant plus de six mois dans le Top 10.
L'aura du disque a rapidement dépassé les frontières : outre une 5e place aux États-Unis (via Portrait Records), l'album a atteint la première place des ventes aux Pays-Bas, en Allemagne, en Suisse et en Autriche.
Salué pour son élégance jazz-soul et la voix suave de la chanteuse Sade Adu, cet opus a été récompensé par le Brit Award du « Meilleur album britannique » en 1985, imposant le groupe comme une référence mondiale du sophisti-pop.
User Album Review
Sade the band emerged in the early-80s out of London’s short-lived New Jazz scene, one that also included Animal Nightlife and Weekend; it was the logical mellow next step after the frenetic white funk of Blue Rondo a la Turk, Spandau Ballet, Funkapolitan et al. And Sade the singer was a former model and fashion maven who first came to prominence as éminence grise of style bible the Face. She seemed destined for stardom, even if nobody was quite sure she would achieve it via music. Sade’s debut album, Diamond Life, confirmed that she was more than just a beautifully sculpted face. For a start, she could sing, although instead of the ostentatious melismas we’ve become accustomed to from soul singers these days, Sade’s voice was husky and restrained, oozing class and suggestive of hard-won experience, making her sound like a Wardour Street Billie Holiday.
And she could write songs to match, songs that were sufficiently soulful and jazzy yet poppy, funky yet easy listening, to appeal to fans of all those genres. Smokey Robinson coined the term “quiet storm” to describe a certain kind of mellifluous R&B back in the mid-70s, and the four-times-platinum Diamond Life, which won the BRIT Award for Best Album in 1985, and its attendant four singles, helped give that gently turbulent music a wide, even international audience. It reached number five in the States, where Sade continues to exert a tremendous fascination with her uniquely British take on US black music idioms. At first listen, it could be confused with supperclub muzak. Your Love Is King, the first single in the UK, flattered to deceive with its sax refrain and gossamer rhythms, but there was a melancholy beneath the surface that snagged. Smooth Operator, too, was almost as slick as the titular ladykiller. But there was a sense of desperation about Hang on to Your Love, while When Am I Going to Make a Living reeked of Thatcher-era hard times, even if the music was expensive and sleek. These four tracks were all singles, but the beauty of Diamond Life is that four more of the total nine could easily have been lifted off for release, especially Frankie’s First Affair, I Will Be Your Friend and Sally, which helped posit Diamond Life as the missing link between torch ballads and trip hop.
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User Comments
Available in:
Sorti le 16 juillet 1984 au Royaume-Uni chez Epic Records, Diamond Life est le premier album studio du groupe britannique Sade.
Porté par le succès immédiat des singles « Your Love Is King » et « When Am I Going to Make a Living », l'album s'est imposé comme un triomphe commercial instantané, atteignant la 2e place des charts britanniques et y restant plus de six mois dans le Top 10.
L'aura du disque a rapidement dépassé les frontières : outre une 5e place aux États-Unis (via Portrait Records), l'album a atteint la première place des ventes aux Pays-Bas, en Allemagne, en Suisse et en Autriche.
Salué pour son élégance jazz-soul et la voix suave de la chanteuse Sade Adu, cet opus a été récompensé par le Brit Award du « Meilleur album britannique » en 1985, imposant le groupe comme une référence mondiale du sophisti-pop.
User Album Review
Sade the band emerged in the early-80s out of London’s short-lived New Jazz scene, one that also included Animal Nightlife and Weekend; it was the logical mellow next step after the frenetic white funk of Blue Rondo a la Turk, Spandau Ballet, Funkapolitan et al. And Sade the singer was a former model and fashion maven who first came to prominence as éminence grise of style bible the Face. She seemed destined for stardom, even if nobody was quite sure she would achieve it via music. Sade’s debut album, Diamond Life, confirmed that she was more than just a beautifully sculpted face. For a start, she could sing, although instead of the ostentatious melismas we’ve become accustomed to from soul singers these days, Sade’s voice was husky and restrained, oozing class and suggestive of hard-won experience, making her sound like a Wardour Street Billie Holiday.
And she could write songs to match, songs that were sufficiently soulful and jazzy yet poppy, funky yet easy listening, to appeal to fans of all those genres. Smokey Robinson coined the term “quiet storm” to describe a certain kind of mellifluous R&B back in the mid-70s, and the four-times-platinum Diamond Life, which won the BRIT Award for Best Album in 1985, and its attendant four singles, helped give that gently turbulent music a wide, even international audience. It reached number five in the States, where Sade continues to exert a tremendous fascination with her uniquely British take on US black music idioms. At first listen, it could be confused with supperclub muzak. Your Love Is King, the first single in the UK, flattered to deceive with its sax refrain and gossamer rhythms, but there was a melancholy beneath the surface that snagged. Smooth Operator, too, was almost as slick as the titular ladykiller. But there was a sense of desperation about Hang on to Your Love, while When Am I Going to Make a Living reeked of Thatcher-era hard times, even if the music was expensive and sleek. These four tracks were all singles, but the beauty of Diamond Life is that four more of the total nine could easily have been lifted off for release, especially Frankie’s First Affair, I Will Be Your Friend and Sally, which helped posit Diamond Life as the missing link between torch ballads and trip hop.
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