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Track List
01) Second Hand News
02) Dreams
03) Never Going Back Again
04) Don't Stop
05) Go Your Own Way
06) Songbird
07) The Chain
08) You Make Loving Fun
09) I Don't Want to Know
10) Oh Daddy
11) Gold Dust Woman
01) Second Hand News
02) Dreams
03) Never Going Back Again
04) Don't Stop
05) Go Your Own Way
06) Songbird
07) The Chain
08) You Make Loving Fun
09) I Don't Want to Know
10) Oh Daddy
11) Gold Dust Woman
2:54
4:18
2:15
3:14
3:40
3:23
4:31
3:33
3:15
3:58
5:02
Data Complete 90%
Total Rating
Total Rating
(7 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1977
Rock
Relaxed
Rock/Pop
---
Medium
Album
40,000,000 copies
Album Description
Available in:
Rumours (1977) s'impose comme l'apothéose créative de Fleetwood Mac, un album paradoxal où la perfection des harmonies pop masque un chaos sentimental sans précédent.
Enregistré en Californie dans un climat d'hédonisme et de tensions extrêmes, le disque documente les ruptures croisées des membres du groupe, transformant leurs déchirements intimes en hymnes universels tels que « Go Your Own Way », « Dreams » ou « Don't Stop ». Ce chef-d'œuvre du soft-rock, porté par l'alchimie vocale entre Stevie Nicks, Lindsey Buckingham et Christine McVie, a dominé les charts mondiaux avec plus de 40 millions d'exemplaires vendus.
Au-delà de son succès phénoménal et de son Grammy Award, l'album est reconnu pour l'exigence technique de sa production et de son mixage, qui ont nécessité de longs mois de studio pour sculpter un son à la fois organique et d'une précision chirurgicale.
Régulièrement réédité, notamment dans une version remastérisée en 2004 incluant des prises de studio inédites, Rumours demeure un pilier indéboulonnable de la culture rock, capturant l'essence même d'une époque où la tragédie personnelle s'est muée en un triomphe artistique colossal.
User Album Review
Rumours by Fleetwood Mac has taken on a life of its own. Selling over 30 million copies world-wide, it has assiduously worked its way into so many households since its release in February 1977, that it's become part of the sonic furniture. It is as much a part of that year's landscape as Never Mind The Bollocks, "I Feel Love" or Saturday Night Fever and arguably the one least tainted by the passage of time.
It had been a tumultuous 1970s for Fleetwood Mac when they came to record this album on America's West Coast. After being left rudderless in the wake of founder Peter Green's departure, the core of drummer Mick Fleetwood, bassist John McVie and his keyboard-playing wife, Christine had finally found some form of stability and commercial success by adding the young singer-songwriting team of Lindsay Buckingham and Stevie Nicks. And then, after tasting triumph, it all fell apart, amidst affairs and acrimony. With every member of the band touched by some degree of relationship hell, they made a trouble-filled, cocaine-fuelled album . . . that sounded like a thousand angels kissing you sweetly on the forehead.
Buckingham emerges as top dog here; his swooping, ramshackle "Second Hand News" (with its euphoric chorus finally arriving two minutes into the song), "Never Going Back Again" and "Go Your Own Way" dominate the album. But it is far from a one-man show ”“ Nicks' "Dreams" is a beautifully insistent, sweetly nagging understated plea to lost love, while Christine McVie's "Don't Stop", "Songbird" and "You Make Loving Fun" typify proper, grown-up music.
Sonically, it's near perfect ”“ there is little fuss, no mess and hardly any waste. If the age was about redundant excess, you are hard pushed to hear any of it on tunes like "Don't Stop" or especially "Dreams", which both benefit from incredibly sparing instrumentation ”“ there is so much left out, it makes the tunes somehow seem busier by memory.
It became one of biggest records of all time, providing an antidote to the era while remaining entirely in step with its times. It led the group to make its thoroughly crazy yet quite beautiful follow-up, Tusk in 1979, bereft of the editing and economy that makes Rumours so very special.
External Album Reviews
None...
User Comments
Available in:
Rumours (1977) s'impose comme l'apothéose créative de Fleetwood Mac, un album paradoxal où la perfection des harmonies pop masque un chaos sentimental sans précédent.
Enregistré en Californie dans un climat d'hédonisme et de tensions extrêmes, le disque documente les ruptures croisées des membres du groupe, transformant leurs déchirements intimes en hymnes universels tels que « Go Your Own Way », « Dreams » ou « Don't Stop ». Ce chef-d'œuvre du soft-rock, porté par l'alchimie vocale entre Stevie Nicks, Lindsey Buckingham et Christine McVie, a dominé les charts mondiaux avec plus de 40 millions d'exemplaires vendus.
Au-delà de son succès phénoménal et de son Grammy Award, l'album est reconnu pour l'exigence technique de sa production et de son mixage, qui ont nécessité de longs mois de studio pour sculpter un son à la fois organique et d'une précision chirurgicale.
Régulièrement réédité, notamment dans une version remastérisée en 2004 incluant des prises de studio inédites, Rumours demeure un pilier indéboulonnable de la culture rock, capturant l'essence même d'une époque où la tragédie personnelle s'est muée en un triomphe artistique colossal.
User Album Review
Rumours by Fleetwood Mac has taken on a life of its own. Selling over 30 million copies world-wide, it has assiduously worked its way into so many households since its release in February 1977, that it's become part of the sonic furniture. It is as much a part of that year's landscape as Never Mind The Bollocks, "I Feel Love" or Saturday Night Fever and arguably the one least tainted by the passage of time.
It had been a tumultuous 1970s for Fleetwood Mac when they came to record this album on America's West Coast. After being left rudderless in the wake of founder Peter Green's departure, the core of drummer Mick Fleetwood, bassist John McVie and his keyboard-playing wife, Christine had finally found some form of stability and commercial success by adding the young singer-songwriting team of Lindsay Buckingham and Stevie Nicks. And then, after tasting triumph, it all fell apart, amidst affairs and acrimony. With every member of the band touched by some degree of relationship hell, they made a trouble-filled, cocaine-fuelled album . . . that sounded like a thousand angels kissing you sweetly on the forehead.
Buckingham emerges as top dog here; his swooping, ramshackle "Second Hand News" (with its euphoric chorus finally arriving two minutes into the song), "Never Going Back Again" and "Go Your Own Way" dominate the album. But it is far from a one-man show ”“ Nicks' "Dreams" is a beautifully insistent, sweetly nagging understated plea to lost love, while Christine McVie's "Don't Stop", "Songbird" and "You Make Loving Fun" typify proper, grown-up music.
Sonically, it's near perfect ”“ there is little fuss, no mess and hardly any waste. If the age was about redundant excess, you are hard pushed to hear any of it on tunes like "Don't Stop" or especially "Dreams", which both benefit from incredibly sparing instrumentation ”“ there is so much left out, it makes the tunes somehow seem busier by memory.
It became one of biggest records of all time, providing an antidote to the era while remaining entirely in step with its times. It led the group to make its thoroughly crazy yet quite beautiful follow-up, Tusk in 1979, bereft of the editing and economy that makes Rumours so very special.
External Album Reviews
None...
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