(4 users) 
Cover NOT yet available in
Join up for 4K upload/download access
Your Rating (Click a star below)
Track List
01) Closer
02) Crawl
03) Sex on Fire
04) Use Somebody
05) Manhattan
06) Revelry
07) 17
08) Notion
09) I Want You
10) Be Somebody
11) Cold Desert
01) Closer
02) Crawl
03) Sex on Fire
04) Use Somebody
05) Manhattan
06) Revelry
07) 17
08) Notion
09) I Want You
10) Be Somebody
11) Cold Desert
3:57
4:06
3:23
3:50
3:24
3:21
3:05
3:00
5:07
3:47
5:34
Data Complete 90%
Total Rating
Total Rating
(3 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2008
Rock
Sad
Rock/Pop
---
Medium
Album
6,200,000 copies
Album Description
Available in:
Only by the Night (2008) est le quatrième album studio de Kings of Leon, écrit dans la foulée de Because of the Times et enregistré à Nashville avec les producteurs Angelo Petraglia et Jacquire King.
Succès planétaire, il s'est hissé dans le top 10 de plus de dix pays, s'imposant comme la meilleure vente de l'année 2008 en Australie (certifié neuf fois platine) et la troisième au Royaume-Uni.
Porté par les singles « Sex on Fire » et « Use Somebody », l'opus a décroché deux Brit Awards et une nomination au Grammy du meilleur album rock.
Sa popularité est confirmée par le plébiscite de quatre titres dans le Triple J Hottest 100 de 2008, notamment « Closer » et « Crawl ».
User Album Review
The album that the world's been waiting for Kings Of Leon to make.
As if their towering headlining performance at Glastonbury wasn't enough, here comes the Southern-fried quartet's fourth album to prove once and for all that Kings Of Leon are now bona fide world-beaters.
In the context of a career arc this level of creativity makes perfect sense. Their sound has had a good five years to grow from post-adolescent indie to full-blown, manly stadium glory. All those U2 support slots have now been fed back into the machine. And, like U2, a timely change of production team (losing Ethan Johns but retaining Angelo Petraglia) brings a new focus. Nathan Followill's drums have to be one of the most perfect rock engines around at the moment. They never swamp a ticking grower like I Want You but still throw enough flourishes to push the songs into the red. Meanwhile cousin Matthew's guitar scorches the mix like a flamethrower. Filled with string-bending clichés; but cliches of the most enjoyable sort.
The one thing that really shows the band's confidence is their willingness to slow down and really attack these songs. Caleb claims that medication's effects influenced the writing and indeed, the droning insistence can be almost hallucinatory. Interestingly the first single, Sex On Fire - returning them to the fire and brimstone, gothic territory of their peripatetic father's preacher roots - is the one track that comes closest to the Strokes-aping sound that held them back in the past. But Caleb's muzzy, straining voice pushes them beyond arch post-modern irony from the big city. In interviews Caleb's talked about the boys tackling their ''roots'' again, and this album wears its colours proudly.
The U2 analogies don't stop there. Manhattan, another medium-paced stormer has the Edge's echo-fed lines running through it, albeit with more of the Kings' blues rock swagger. Obviously, the advantage of being American is that you can still believe that rock will save the world.
A minor mid-album lull, caused by perhaps too many slower numbers is broken by Be Somebody: a new wave-ish beauty that ends with a maelstrom borne on the back of Jared's rubbery bass. It only remains for Cold Desert to usher us out of the emotional devastation of this very secular three-chord church, swelling and returning at its end with optimistic verve.
Never overstaying its welcome, Only By The Night is the album that the world's been waiting for the Kings Of Leon to make.
External Album Reviews
None...
User Comments
Available in:
Only by the Night (2008) est le quatrième album studio de Kings of Leon, écrit dans la foulée de Because of the Times et enregistré à Nashville avec les producteurs Angelo Petraglia et Jacquire King.
Succès planétaire, il s'est hissé dans le top 10 de plus de dix pays, s'imposant comme la meilleure vente de l'année 2008 en Australie (certifié neuf fois platine) et la troisième au Royaume-Uni.
Porté par les singles « Sex on Fire » et « Use Somebody », l'opus a décroché deux Brit Awards et une nomination au Grammy du meilleur album rock.
Sa popularité est confirmée par le plébiscite de quatre titres dans le Triple J Hottest 100 de 2008, notamment « Closer » et « Crawl ».
User Album Review
The album that the world's been waiting for Kings Of Leon to make.
As if their towering headlining performance at Glastonbury wasn't enough, here comes the Southern-fried quartet's fourth album to prove once and for all that Kings Of Leon are now bona fide world-beaters.
In the context of a career arc this level of creativity makes perfect sense. Their sound has had a good five years to grow from post-adolescent indie to full-blown, manly stadium glory. All those U2 support slots have now been fed back into the machine. And, like U2, a timely change of production team (losing Ethan Johns but retaining Angelo Petraglia) brings a new focus. Nathan Followill's drums have to be one of the most perfect rock engines around at the moment. They never swamp a ticking grower like I Want You but still throw enough flourishes to push the songs into the red. Meanwhile cousin Matthew's guitar scorches the mix like a flamethrower. Filled with string-bending clichés; but cliches of the most enjoyable sort.
The one thing that really shows the band's confidence is their willingness to slow down and really attack these songs. Caleb claims that medication's effects influenced the writing and indeed, the droning insistence can be almost hallucinatory. Interestingly the first single, Sex On Fire - returning them to the fire and brimstone, gothic territory of their peripatetic father's preacher roots - is the one track that comes closest to the Strokes-aping sound that held them back in the past. But Caleb's muzzy, straining voice pushes them beyond arch post-modern irony from the big city. In interviews Caleb's talked about the boys tackling their ''roots'' again, and this album wears its colours proudly.
The U2 analogies don't stop there. Manhattan, another medium-paced stormer has the Edge's echo-fed lines running through it, albeit with more of the Kings' blues rock swagger. Obviously, the advantage of being American is that you can still believe that rock will save the world.
A minor mid-album lull, caused by perhaps too many slower numbers is broken by Be Somebody: a new wave-ish beauty that ends with a maelstrom borne on the back of Jared's rubbery bass. It only remains for Cold Desert to usher us out of the emotional devastation of this very secular three-chord church, swelling and returning at its end with optimistic verve.
Never overstaying its welcome, Only By The Night is the album that the world's been waiting for the Kings Of Leon to make.
External Album Reviews
None...
User Comments
Status
unlockedExternal Links
Fantastic album!