(0 users)
Your Rating (Click a star below)
Total Rating
(0 users)
61,634
232,305
3D Track Thumb
Track Description
Available in:
Shock to the System" is single by Billy Idol, released to promote his 1993 album Cyberpunk.
Idol explained for MTV News, he had originally created the song with an entirely different set of lyrics, but upon witnessing the Los Angeles riots of 1992 on television, he immediately rewrote and recorded them that day.
A music video was created for the song, and was set in a dystopian future controlled by Cyber-cops (referred to as such by director Brett Leonard.) It depicted an individual who records the Cyber-cops beating a man, only to be noticed and attacked himself. His camera is destroyed and the Cyber-cops leave him unconscious on the ground, as they are busy trying to put down a riot elsewhere in the city. Alone, his camera equipment lands on him and is absorbed into his body, causing him to dramatically morph into a cyborg. The cyborg then joins the riot, leading the rebels to victory.
Idol explained that he was trying to capture the political and economic conflict that had created the LA Riots, and that the camcorder – as displayed in the witnessing of the Rodney King beating – was a "potent way of conveying ideas" and an important metaphor for technology used in rebellion.
The make-up effects were achieved through stop motion, with Billy Idol moving in slow stages during points of the filming. Stan Winston, who had previously worked on the Terminator series and Jurassic Park, supervised and created the special effects for the video. The music video for "Shock to The System" was nominated for "Best Special Effects in a Video" and "Best Editing in a Video" at the 1993 MTV Video Music Awards, losing both times to Peter Gabriel's video for "Steam".
File Hashes
HASH1: C3AE2D9190F258F1
HASH2: C2EBB6818C32F048 (MP3)
Available in:
Shock to the System" is single by Billy Idol, released to promote his 1993 album Cyberpunk.
Idol explained for MTV News, he had originally created the song with an entirely different set of lyrics, but upon witnessing the Los Angeles riots of 1992 on television, he immediately rewrote and recorded them that day.
A music video was created for the song, and was set in a dystopian future controlled by Cyber-cops (referred to as such by director Brett Leonard.) It depicted an individual who records the Cyber-cops beating a man, only to be noticed and attacked himself. His camera is destroyed and the Cyber-cops leave him unconscious on the ground, as they are busy trying to put down a riot elsewhere in the city. Alone, his camera equipment lands on him and is absorbed into his body, causing him to dramatically morph into a cyborg. The cyborg then joins the riot, leading the rebels to victory.
Idol explained that he was trying to capture the political and economic conflict that had created the LA Riots, and that the camcorder – as displayed in the witnessing of the Rodney King beating – was a "potent way of conveying ideas" and an important metaphor for technology used in rebellion.
The make-up effects were achieved through stop motion, with Billy Idol moving in slow stages during points of the filming. Stan Winston, who had previously worked on the Terminator series and Jurassic Park, supervised and created the special effects for the video. The music video for "Shock to The System" was nominated for "Best Special Effects in a Video" and "Best Editing in a Video" at the 1993 MTV Video Music Awards, losing both times to Peter Gabriel's video for "Steam".
File Hashes
HASH1: C3AE2D9190F258F1 HASH2: C2EBB6818C32F048 (MP3) 
Post-Punk 
--- 
--- 
2,813 
39 (1%)
Palomar Pictures
Status
UnlockedData Complete
70%External Links
