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Track List
01) Angel of Verdun (Main Titles)
02) No Courage Without Fear
03) D-Day
04) Mimics and Alphas
05) PT
06) Find Me When You Wake Up
07) Navigating the Beach
08) Winning the War
09) Combat Training
10) Deadweight
11) Again!
12) Solo Flight
13) Decoy
14) Whitehall
15) Uncharted Territory
16) I'm Out
17) They Know We're Coming
18) Caged In
19) Ritaliation
20) The Omega
21) Welcome to London, Major
22) Live, Die, Repeat (End Titles)
01) Angel of Verdun (Main Titles)
02) No Courage Without Fear
03) D-Day
04) Mimics and Alphas
05) PT
06) Find Me When You Wake Up
07) Navigating the Beach
08) Winning the War
09) Combat Training
10) Deadweight
11) Again!
12) Solo Flight
13) Decoy
14) Whitehall
15) Uncharted Territory
16) I'm Out
17) They Know We're Coming
18) Caged In
19) Ritaliation
20) The Omega
21) Welcome to London, Major
22) Live, Die, Repeat (End Titles)
2:56
3:00
2:35
1:25
1:16
2:05
2:01
1:27
1:16
1:31
1:48
3:11
1:22
2:09
1:39
1:53
2:06
2:04
1:39
1:23
2:22
4:22
Data Complete
50%
Total Rating
50%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2014
OST
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Rock/Pop
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Medium
Album
0 copies
Album Description
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Composer Christophe Beck was a late addition to the film, taking over from Ramin Djawadi, Liman's first choice to replace his frequent collaborator John Powell, who was on sabbatical.Edge of Tomorrow marked Beck's first science fiction film score.To prepare, Beck watched the film with temp tracks, including one from the 2012 film Battleship. He experimented with repeating the music with the scenes, but because this approach did not frequently fit the events on the screen, Beck used minimal repetition in the film. "The day is reset dozens of times in the film and it would get very repetitive to approach that musically the same way every time", Beck recalled. He initially tried for "traditional heroic themes" that involved horns and trumpets, but he said Liman "preferred a non-traditional approach, driven by percussion and distorted orchestra". To that end, Beck used the pizzicato playing technique, "not in the traditional, plinky-plinky-isn't-this-funny way, but a little darker, and always accompanied by some higher concept synth colors". The distorted orchestral samples enhanced the comedic tone of the extended sequences where Cage recurrently dies in battle, as the director felt it was important for the audience to find humor in this sequence.With Liman's approach, the composer said there were "only a couple of traditional themes" in the film, including one for Emily Blunt's character Rita.
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Composer Christophe Beck was a late addition to the film, taking over from Ramin Djawadi, Liman's first choice to replace his frequent collaborator John Powell, who was on sabbatical.Edge of Tomorrow marked Beck's first science fiction film score.To prepare, Beck watched the film with temp tracks, including one from the 2012 film Battleship. He experimented with repeating the music with the scenes, but because this approach did not frequently fit the events on the screen, Beck used minimal repetition in the film. "The day is reset dozens of times in the film and it would get very repetitive to approach that musically the same way every time", Beck recalled. He initially tried for "traditional heroic themes" that involved horns and trumpets, but he said Liman "preferred a non-traditional approach, driven by percussion and distorted orchestra". To that end, Beck used the pizzicato playing technique, "not in the traditional, plinky-plinky-isn't-this-funny way, but a little darker, and always accompanied by some higher concept synth colors". The distorted orchestral samples enhanced the comedic tone of the extended sequences where Cage recurrently dies in battle, as the director felt it was important for the audience to find humor in this sequence.With Liman's approach, the composer said there were "only a couple of traditional themes" in the film, including one for Emily Blunt's character Rita.
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