Venue Name
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Venue Description
Altice Arena (formerly MEO Arena, and also referred to as Pavilhão Atlântico) is a multi-purpose indoor arena in Lisbon, Portugal. The arena is among the largest indoor arenas in the European Union and the largest in Portugal with a capacity of 20,000 people and was built in 1998 for Expo '98.
Altice Arena (formerly MEO Arena, and also referred to as Pavilhão Atlântico) is a multi-purpose indoor arena in Lisbon, Portugal. The arena is among the largest indoor arenas in the European Union and the largest in Portugal with a capacity of 20,000 people and was built in 1998 for Expo '98.
History
Plans to build a multipurpose arena in Lisbon date back to the first discussions of the Expo '98 Master Plan. At the time, the city lacked a versatile facility able to accommodate concerts, congresses and sporting events of big scope. The existing structures, both in Lisbon and in Portugal alike, either had limited capacity (up to 4,000 people), or were difficult to adapt to non-conventional events, such as world class indoor sports competitions. Another shortcoming of existing venues was the lack of technical infrastructure deemed necessary to host modern concerts, musicals and to allow for proper live TV coverage.
The country needed an arena to fill the existing gap between smaller indoor halls, like the Lisbon Coliseum, and open-air stadia. As a consequence, Portugal would not host games of important indoor sports championships and no major concerts would take place in the country in periods of cold and rainy weather.
The decision to build the Pavilhão Atlântico within the masterplan of Expo 98 allowed the arena to have a catchment area well beyond the city of Lisbon. Being a short distance from Gare do Oriente and several major highway interchanges, allows the arena to draw spectators from all over the country.
In July 2012, the arena was sold to Arena Atlântico S.A. for €21,2 million. In May 2013, Portugal Telecom acquired the naming rights to the venue, re-branding it as MEO Arena after its services brand MEO. In October 2017, following the acquisition of Portugal Telecom by Altice, the venue was renamed Altice Arena.
Architecture
The Atlantic Hall (Pavilhao Atlantico) in Lisbon, 2008
South-side of the arena (2015)
The building was designed by Portuguese architect Regino Cruz, who is the author of several government and office buildings in Brazil and in Portugal, in association with Skidmore, Owings & Merrill (SOM). SOM has been awarded first prize in the contests for the Olympic stadiums of Manchester and Berlin, and is responsible for designing many big sporting pavilions in the US (Portland, Philadelphia, Oakland and Minneapolis). The studio is also a co-designer of the Vasco da Gama Tower, located at the northern end of the Parque das Nações in Lisbon. The shape of the Altice Arena is reminiscent of a large flying-saucer or horseshoe crab. Such a unique shape demanded out-of-the box thinking for its underpinnings, both for structural and symbolic reasons. The roof, for example, sits atop a wood grid, designed in the shape of a carrack. Being part of a world expo celebrating the world's oceans and 15th-century Portuguese discoveries, wood was considered more fitting than either concrete or steel.
The main goals of the design were: 1) Minimize the visual impact generated from such a big structure; 2) rational energy use; and 3) simplify the flow of spectators in and out of the building.
The main façade is oriented towards the south, which increases sun exposure during the colder winter months, at the same time preventing direct sunlight in the summer months. This exposure allows the reduction of heating and air conditioning costs, while at the same time natural ventilation outlets on top of the building provide air circulation and cooling. By placing the main floor 6.4 metres below ground level the architects allowed for a generously high roof, while at the same time reducing the external footprint and minimizing heat exchange (as a result of the smaller surface area exposed to the weather). The external glass façade is shaded by overhanging panels, designed to allow sunlight only during winter months. A system of external moving blinds further allows natural lighting to enter the pavilion.
Accessibility is also straightforward by means of a short stadium-seating-like external staircase that surrounds the entire building.
EXPO'98
During EXPO'98, the building was called the Pavilion of Utopia and housed the spectacle "Oceans and Utopias".
The EXPO'98 theme was "Knowledge of the Seas or of the Future", and while other expositions approached the "ocean" themes from artistic, scientific or historical perspective, at the Utopian Pavilion, the designers took a symbolic, dreamlike, and/or magical approach to the exhibits. As such, during the 132 days of the exposition, the Pavilion was an open space to showcase works of imagination, reflecting the fears, myths and legends that throughout history, have been associated with the World's oceans. Visitors were awarded with sights of Daedalus, Greek Gods, mythical heroes such as Hercules, as well as colorful displays portraying the birth of mankind and gods, the Big Bang, the Deluge, Atlantis, the Age of Discovery and space travel, just to name a few. Written by François I. Confine and Philippe Genty, and produced by Rozon, the show (which was presented four times a day) mixed classic theatrical elements and modern multimedia technology.
Altice Arena (formerly MEO Arena, and also referred to as Pavilhão Atlântico) is a multi-purpose indoor arena in Lisbon, Portugal. The arena is among the largest indoor arenas in the European Union and the largest in Portugal with a capacity of 20,000 people and was built in 1998 for Expo '98.
Altice Arena (formerly MEO Arena, and also referred to as Pavilhão Atlântico) is a multi-purpose indoor arena in Lisbon, Portugal. The arena is among the largest indoor arenas in the European Union and the largest in Portugal with a capacity of 20,000 people and was built in 1998 for Expo '98.
History
Plans to build a multipurpose arena in Lisbon date back to the first discussions of the Expo '98 Master Plan. At the time, the city lacked a versatile facility able to accommodate concerts, congresses and sporting events of big scope. The existing structures, both in Lisbon and in Portugal alike, either had limited capacity (up to 4,000 people), or were difficult to adapt to non-conventional events, such as world class indoor sports competitions. Another shortcoming of existing venues was the lack of technical infrastructure deemed necessary to host modern concerts, musicals and to allow for proper live TV coverage.
The country needed an arena to fill the existing gap between smaller indoor halls, like the Lisbon Coliseum, and open-air stadia. As a consequence, Portugal would not host games of important indoor sports championships and no major concerts would take place in the country in periods of cold and rainy weather.
The decision to build the Pavilhão Atlântico within the masterplan of Expo 98 allowed the arena to have a catchment area well beyond the city of Lisbon. Being a short distance from Gare do Oriente and several major highway interchanges, allows the arena to draw spectators from all over the country.
In July 2012, the arena was sold to Arena Atlântico S.A. for €21,2 million. In May 2013, Portugal Telecom acquired the naming rights to the venue, re-branding it as MEO Arena after its services brand MEO. In October 2017, following the acquisition of Portugal Telecom by Altice, the venue was renamed Altice Arena.
Architecture
The Atlantic Hall (Pavilhao Atlantico) in Lisbon, 2008
South-side of the arena (2015)
The building was designed by Portuguese architect Regino Cruz, who is the author of several government and office buildings in Brazil and in Portugal, in association with Skidmore, Owings & Merrill (SOM). SOM has been awarded first prize in the contests for the Olympic stadiums of Manchester and Berlin, and is responsible for designing many big sporting pavilions in the US (Portland, Philadelphia, Oakland and Minneapolis). The studio is also a co-designer of the Vasco da Gama Tower, located at the northern end of the Parque das Nações in Lisbon. The shape of the Altice Arena is reminiscent of a large flying-saucer or horseshoe crab. Such a unique shape demanded out-of-the box thinking for its underpinnings, both for structural and symbolic reasons. The roof, for example, sits atop a wood grid, designed in the shape of a carrack. Being part of a world expo celebrating the world's oceans and 15th-century Portuguese discoveries, wood was considered more fitting than either concrete or steel.
The main goals of the design were: 1) Minimize the visual impact generated from such a big structure; 2) rational energy use; and 3) simplify the flow of spectators in and out of the building.
The main façade is oriented towards the south, which increases sun exposure during the colder winter months, at the same time preventing direct sunlight in the summer months. This exposure allows the reduction of heating and air conditioning costs, while at the same time natural ventilation outlets on top of the building provide air circulation and cooling. By placing the main floor 6.4 metres below ground level the architects allowed for a generously high roof, while at the same time reducing the external footprint and minimizing heat exchange (as a result of the smaller surface area exposed to the weather). The external glass façade is shaded by overhanging panels, designed to allow sunlight only during winter months. A system of external moving blinds further allows natural lighting to enter the pavilion.
Accessibility is also straightforward by means of a short stadium-seating-like external staircase that surrounds the entire building.
EXPO'98
During EXPO'98, the building was called the Pavilion of Utopia and housed the spectacle "Oceans and Utopias".
The EXPO'98 theme was "Knowledge of the Seas or of the Future", and while other expositions approached the "ocean" themes from artistic, scientific or historical perspective, at the Utopian Pavilion, the designers took a symbolic, dreamlike, and/or magical approach to the exhibits. As such, during the 132 days of the exposition, the Pavilion was an open space to showcase works of imagination, reflecting the fears, myths and legends that throughout history, have been associated with the World's oceans. Visitors were awarded with sights of Daedalus, Greek Gods, mythical heroes such as Hercules, as well as colorful displays portraying the birth of mankind and gods, the Big Bang, the Deluge, Atlantis, the Age of Discovery and space travel, just to name a few. Written by François I. Confine and Philippe Genty, and produced by Rozon, the show (which was presented four times a day) mixed classic theatrical elements and modern multimedia technology.
Location
Lisbon, Portugal
Country
Portugal
Construction Cost
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Capacity
20,000
Formed
1998
Closed
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Status
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