Artist Name

Mary Bevan

(0 users)

Logo

Artist Image

Functions

Data Complete 50%

15%

Album Thumbs

view

Symphonies, Vol. 4: No. 9... (2025)	Serse (2023)	Folk Songs, Volume 4 (2022)
The Complete Songs (2022)	The Dragon of Wantley (2022)	London Symphony no. 103 /... (2022)
Amadigi (2022)	Pan's Anniversary / Talli... (2022)	Folk Songs, Vol. 2 (2021)
The Harmonious Echo: Song... (2021)	Liebeslieder-Walzer, op. ... (2021)	Folk Songs, Vol. 3 (2021)
Handel (2021)	The Divine Muse (2020)	Symphony no. 5 "Le Grand ... (2020)
Love Lives Beyond the Tom... (2020)	Folk Songs, Volume 1 (2020)	Handel's Queens (2019)
Time and Space (2019)	Songs (2017)	A London Symphony (2017)
Voyages (2017)	An English Requiem (2017)

Members
1 Female

Origin
origin flag

---

Genre
flag

Opera

Style
Classical

Mood
---

Born

1985

Active
---Present...

Cutout
transparent

Most Loved Tracks
No loved tracks found...

Music Video Links
No Music Videos Found...

Artist Biography
Available in:

Mary Bevan was born in Somerset into a large musical family (her slightly elder sister Sophie is also an internationally-acclaimed soprano), and read Anglo-Saxon, Celtic and Norse at Trinity College Cambridge before taking up a place at the Royal Academy of Music. Shortly after graduation she became a Harewood Young Artist at English National Opera, where her roles included Susanna in The Marriage of Figaro, Yum-Yum in The Mikado, Papagena in The Magic Flute and Rebecca in Nico Muhly’s Two Boys. Engagements elsewhere include the title-role in Mark Antony Turnage’s Coraline at Covent Garden, Merab in Barrie Kosky’s landmark staging of Handel’s Saul at the Adelaide Festival, and Dalinda in Handel’s Ariodante with The English Concert.