(0 users) 
40%Album Releases 
view
view 
Members
1 Male
Origin
Richmond, Virginia, USA
Genre
Jazz
Style
Jazz
Mood
---
Born
1 MaleOrigin
Richmond, Virginia, USAGenre
JazzStyle
JazzMood
---
Born
1940
Active
1940 to Present...
Cutout
Most Loved TracksNo loved tracks found...
Music Video LinksArtist Biography
Available in:
Lonnie Liston Smith Jr. (born December 28, 1940) is an American jazz, soul, and funk musician who played with such jazz artists as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith and the Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion, smooth jazz and acid jazz genres.
Smith was born and raised in Richmond, Virginia, United States to a musical family; his father was a member of Richmond Gospel music group The Harmonizing Four, and he remembered groups such as the Swan Silvertones and the Soul Stirrers (featuring a young Sam Cooke) as regular visitors to the house when he was a child. He studied piano, tuba and trumpet in high school and college before receiving a B.S. in music education from Morgan State University in Baltimore in 1961. Smith has cited Charlie Parker, John Coltrane and Miles Davis as major influences in his youth. While still a teenager, Smith became well known locally as a backing vocalist as well as pianist in the Baltimore metropolitan area. During this period, he regularly performed with a number of his contemporaries, including Gary Bartz (alto), Grachan Moncur (trombone), and Mickey Bass (bass). He also backed a number of jazz singers (including Ethel Ennis) while performing in the house band at Baltimore's Royal Theater shortly after receiving his degree.
In 1963, he moved to New York City, where he initially played piano in Betty Carter's band for a year. Early in 1965, Smith began playing with Roland Kirk, first recording with his band on Here Comes The Whistleman (Atlantic, 1965), an album recorded live in New York on March 14, 1965. A further track from that gig, "Dream", appeared on Roland Kirk and Al Hibbler's live album A Meeting Of The Times (Atlantic, 1972).
Late in 1965, Smith joined Art Blakey's Jazz Messengers, sharing the piano position with Mike Nock and Keith Jarrett. The Jazz Messengers, together with Miles Davis' group, were one of the main proving grounds for young up-and-coming jazz musicians, experimentally edgy and musically stretching, and both were an ever-revolving door of young modern jazz musicians as modes and moods rapidly changed during a fresh period of experimentation. Beginning with a live session at The Five Spot, New York City, November 9, 1965, Smith's time as a Jazz Messenger was fairly short-term, only lasting until a three-gig engagement at The Village Vanguard 26–28 April 1966; by May 1966 his position was filled by Chick Corea. No recordings exist of this period.
Wide Thumb
Clearart
Fanart
Banner
User Comments
No comments yet..
Unlocked
