Artist Name

Spinetta Jade

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Album Releases view
1984 - Madre en años luz
1983 - Bajo Belgrano
1981 - Los niños que escriben en el cielo
1980 - Alma de Diamante

Members
5 Male

Origin
Buenos Aires

Genre
Jazz

Style
Rock/Pop

Mood
---

Born

1980

Active
1980 to Present...

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Most Loved Tracks
4 users Spinetta Jade - Resumen porteño
4 users Spinetta Jade - Ludmila
4 users Spinetta Jade - Era de uranio
4 users Spinetta Jade - Maribel se durmió
2 users Spinetta Jade - Amenábar


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Artist Biography
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Spinetta Jade was an Argentine rock-jazz band active between 1980 and 1985, alterned with Almendra's reunion and the solo career of Luis Alberto Spinetta.

History

Early months
In his early months, the band was formed by Luis Alberto Spinetta (guitar and main vocals), Pedro Aznar (bass-guitar), Lito Vitale (keyboards), Juan del Barrio (keyboards) and Pomo Lorenzo (drums).

Alma de Diamante and recital with Serú Girán
In August 1980, after the substitution of Lito Vitale for Diego Rapoport in the keyboards, and Pedro Aznar for Beto Satragni in the bass-guitar, the band was presented the album Alma de Diamante. Then, in September, Jade was alterned with Serú Girán in a recital.

Los niños que escriben en el cielo
After any modification in the alineation of the band (was remplazed Beto Satragni for Frank Ojstersek in the bass guitar, and Juan del Barrio by Leo Sujatovich in the keyboards), Jade was presented the album Los niños que escriben en el cielo in the Prima Rock Festival on September 1981.

Bajo Belgrano
After the solo album of Spinetta, Kamikase, and more modifications in the alineation (Frank Ojstersek was remplazed for César Franov in the bass-guitar), the album Bajo Belgrano was presented between another Spinetta's solo album: Mondo di Cromo. The third album of Jade, had pop influences.

Madre en años luz and final
In 1984, the band incluyed to Lito Epumer in the main guitar, and remplazed to Leo Sujatovich for Mono Fontana in the keyboards, and presented his fourth and last album: Madre en años luz in the Luna Park Stadium. Thir work was influenced for a lot of synth-pop sounds. Then, in the midlies of 1985, with Paul Dourge in the mini-mood, the band was dissolved.


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Last Edit by elrodro83
23rd Feb 2014

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