Artist Name

Savages

(1 users)

Artist Image

Functions

Data Complete 80%

15%

Album CD Covers

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Adore Life (2016)

Silence Yourself (2013)

Members
4 Female

Popularity

30

Followers
126,881

Origin
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London, England

Genre
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Post-Punk

Style
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Mood
---

Born

2011

Active
2011 to Present...

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transparent

Most Loved Tracks

Track	Last.FM Listens	Youtube views	Loves
I Am Here	338,482	35,058 views	9 users
Husbands	516,070		8 users
She Will	437,392		8 users
Shut Up	499,071		8 users
Strife	283,494		8 users

Music Video Links

The Answer	I Am Here	Husbands
Marshal Dear

Artist Biography
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Guitarist Gemma Thompson had come up with the name for the band and had been discussing the idea with singer, Jehnny Beth, for almost a year. Thompson says the band's name was derived from books, such as Lord of the Flies, that she read when she was younger. The band was eventually formed in October 2011 and they had their first gig in January 2012 supporting rock band British Sea Power. Their manager John Best also manages Sigur Ros. The Observer has said of Savages: "it's not exactly sexy, it's not funny and they're not going to be rolling around in mud like the Slits. But it's the closest thing to art that "post-punk"... has offered in a while". The New Musical Express described their performances as "frottage-inducingly intense affairs".

The group's first released tracks, a double A-side in June 2012, were "Flying to Berlin" and "Husbands" on the Pop Noire label. The Guardian wrote: "Husbands", the B-side of the first single by Savages, makes us dream of what it must have been like to have been around to hear, in real time, the debut releases by Public Image Ltd, Magazine, Siouxsie and the Banshees and Joy Division, to feel, as those incredible records hit the shops, that unearthly power and sense of a transmission from a satellite reality." In October, their concert at the CMJ Music Marathon in New York received good reviews. The Chicago Reader noted that their set is "influenced by Siouxsie & the Banshees, but with an anthemic quality that makes me think of PJ Harvey and heavy doses of the rhythmic jaggedness and angularity of British postpunk."