Artist Name

Erik Satie

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2016 - BBC Music, Volume 24, Number 6: French Piano Works
2009 - Gymnopédies / Gnossiennes / Sports et divertissements
2004 - Gnossiennes / Gymnopédies / Piano Works
2001 - 3 Gymnopédies / 6 Gnossiennes / 3 morceaux en forme de poir
1998 - Piano Pictures
1994 - Complete Piano Works, Volume 3 (Bojan Gorišek)
1994 - Piano Works, Volume 3
1994 - Complete Piano Works, Volume 4 (Bojan Gorišek)
1994 - Complete Piano Works, Volume 2 (Bojan Gorišek)
1994 - Complete Piano Works, Volume 1 (Bojan Gorišek)
1994 - Piano Works, Volume 4
1993 - Arranged for Alto Guitar
1993 - Œuvres pour piano, Volume 2 (Anne Queffélec feat. piano: C
1993 - Œuvres pour piano, Volume 1: Including Trois Gymnopédies (
1993 - Pièces pour piano (Yuji Takahashi)
1992 - Piano Works (Daniel Varsano, Philippe Entremont)
1992 - The Music of Erik Satie (Joanna MacGregor)
1991 - Satie Favorites (feat. piano: Yuji Takahashi)
1991 - Piano Works (Aldo Ciccolini)
1991 - The Complete Ballets of Erik Satie (Utah Symphony Orchestra
1990 - Les Inspirations insolites d'Erik Satie
1989 - Piano Works (selection)
1986 - E. Satie - R. Pöntinen
1985 - Satie: De la période humoristique (feat. piano: Yuji Takaha
1985 - Oeuvres pour piano (Volume 1) par Jean-Joël Barbier
1984 - 3 Gymnopédies & Other Piano Works (Pascal Rogé)

Members
1 Male

Origin
French

Genre
Composer

Style
Classical

Mood
---

Born

1866

Active
--- 1925

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Most Loved Tracks
3 users Erik Satie - Gymnopédie No. 1
3 users Erik Satie - Gnossienne No. 1
3 users Erik Satie - Gnossienne No. 1
3 users Erik Satie - Je te veux
3 users Erik Satie - Je te veux


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Artist Biography
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Alfred Éric Leslie Satie (Honfleur, 17 May 1866–Paris, 1 July 1925) was a French composer, pianist, and writer. Over the years, Erik Satie was described as a precursor of movements and styles as varied as impressionism, neo-classicism, dada, surrealism, conceptual art, minimalism, and ambient music. As well as taking the first steps towards techniques such as prepared piano and music-to-film synchronisation, Satie became one of the first musicians to perform a cameo appearance in a film, in 1924’s Entr’acte by the French filmmaker René Clair. Satie appears to have been the avant-garde to half of the avant-garde movements of the twentieth century. He was in contact with Tristan Tzara, the initiator of the Dada movement. He got to know the other Dadaists, such as Francis Picabia (later to become a Surrealist), André Derain, Marcel Duchamp and Man Ray. Satie contributed to the Dadaist publication 391. In the first months of 1922, he was surprised to find himself entangled in the argument between Tzara and André Breton. Satie originally sided with Tzara, but managed to maintain friendly relations with most players in both camps. Satie is today regarded as a key modernist composer. As well as influencing contemporaries such as Claude Debussy, who orchestrated some of his piano works, and Maurice Ravel, his tendency towards simplicity and repetition continue to inform modern avant-garde genres.


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Last Edit by Dooney
10th Jun 2023

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