Artist Name

Henryk Mikołaj Górecki

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Album Releases

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2009 - Symphony No. 3 "Symphony of Sorrowful Songs" (Atlanta Sympho

2007 - String Quartet No. 3 "...songs are sung" (Kronos Quartet)

2004 - Symphony No. 3

2001 - Symphony No. 2 "Copernican" / Beatus Vir (Polish National Ra

1997 - Schnittke: Concerto grosso no. 1 / Pärt: Tabula rasa / Gór

1997 - Górecki: Miserere / Gubaidulina: Alleluia

1996 - Kleines Requiem / Lerchenmusik (Schönberg Ensemble feat. co

1996 - Tavener / Pärt / Górecki
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1995 - Undiscovered Classics of Our Time: Górecki / Barber / Pärt
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1995 - Symphony No. 3 (Cracow K. Szymanowski State Philharmonic Orc

1995 - Kleines Requiem für eine Polka / Concerto for Harpsichord a

1995 - Górecki: Sonata no. 1 / Four Preludes / Pärt: Für Alina /

1994 - Symphony No. 3 / 3 Olden Style Pieces (Polish National Radio

1994 - Miserere

1993 - String Quartets Nos. 1 & 2 (Kronos Quartet)

1993 - Beatus Vir (Czech Philharmonic Orchestra & Prague Philharmon

1993 - Henryk Górecki: Already It Is Dusk / Quasi una Fantasia

1991 - Already It Is Dusk / ''Lerchenmusik''

1988 - Symphony No. 3 "Symphony of Sorrowful Songs" / Three Pieces

1988 - Three Pieces in Olden Style / Symphony No. 3 / Amen for Choi

1985 - Symphony No. 3 (Symphonieorchester Des Südwestfunks Baden-B

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Origin
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Polish

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Composer

Style
Classical

Mood
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Born

1933

Active
--- 2010

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Alternate Name
Henryk Górecki

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Henryk Mikołaj Górecki (December 6, 1933 – November 12, 2010) was a Polish composer of contemporary classical music. He studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. Górecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw. His Webernian-influenced serialist works of the 1950s and 1960s were characterized by adherence to dissonant modernism and drew influence from Luigi Nono, Karlheinz Stockhausen, Krzysztof Penderecki and Kazimierz Serocki. He continued in this direction throughout the 1960s, but by the mid-1970s had changed to a less complex sacred minimalist sound, exemplified by the transitional Symphony No. 2 and the hugely popular Symphony No. 3 (Symphony of Sorrowful Songs). This later style developed through several other distinct phases, from such works as his 1979 Beatus Vir, to the 1981 choral hymn Miserere, the 1993 Kleines Requiem für eine Polka and his requiem Good Night.

His name remained largely unknown outside Poland until the mid-to late 1980s, and his fame arrived in the 1990s. In 1992, 15 years after it was composed, a recording of his Third Symphony, Symphony of Sorrowful Songs—recorded with soprano Dawn Upshaw and released to commemorate the memory of those lost during the Holocaust—became a worldwide commercial and critical success, selling more than a million copies and vastly exceeding the typical lifetime sales of a recording of symphonic music by a 20th-century composer. As surprised as anyone at its popularity, Górecki said, "Perhaps people find something they need in this piece of music somehow I hit the right note, something they were missing. Something somewhere had been lost to them. I feel that I instinctively knew what they needed." This popular acclaim did not generate wide interest in Górecki's other works, and he pointedly resisted the temptation to repeat earlier success, or compose for commercial reward.

Apart from two brief periods studying in Paris and a short time living in Berlin, Górecki spent most of his life in southern Poland.