Artist Name

Cradle of Filth

(2 users)

Artist Image


Functions
Love Edit Artist Import

Data Complete 100%

Complete Release view
2025 - The Screaming of the Valkyries
2023 - Trouble and Their Double Lives
2021 - Existence Is Futile
2017 - Cryptoriana – The Seductiveness of Decay
2016 - Dusk… and Her Embrace: The Original Sin
2015 - Hammer of the Witches
2012 - Midnight in the Labyrinth
2012 - The Manticore and Other Horrors
2011 - Evermore Darkly…
2010 - Darkly, Darkly, Venus Aversa
2008 - Godspeed on the Devil's Thunder: The Life and Crimes of Gill
2007 - Eleven Burial Masses
2006 - Thornography
2004 - Nymphetamine
2003 - Damnation and a Day
2002 - Lovecraft & Witch Hearts
2001 - Bitter Suites to Succubi
2000 - Midian
1999 - From the Cradle to Enslave E.P.
1998 - Cruelty and the Beast
1996 - Dusk and Her Embrace
1996 - V Empire or Dark Faerytales in Phallustein
1994 - The Principle of Evil Made Flesh

Members
5 Male

Origin
Suffolk, England

Genre
Symphonic Metal

Style
Metal

Mood
---

Born

1991

Active
1991 to Present...

Cutout


Current Record Label

Most Loved Tracks
5 users Cradle of Filth - From the Cradle to Enslave
5 users Cradle of Filth - Temptation
4 users Cradle of Filth - Her Ghost in the Fog
4 users Cradle of Filth - Her Ghost in the Fog
4 users Cradle of Filth - From the Cradle to Enslave


Music Video Links

Babalon A.D. (So Glad ...	Temptation	Forgive Me Father (I H...
Blackest Magick in Pra...	Right Wing of the Gard...	Heartbreak and Séance
Lilith Immaculate	From the Cradle to Ens...

Artist Biography
Available in:
Cradle of Filth are an English extreme metal band that formed in Suffolk, England in 1991. The band's musical style evolved from black metal to a cleaner and more "produced" amalgam of gothic metal, symphonic black metal and other extreme metal styles. Their lyrical themes and imagery are heavily influenced by gothic literature, poetry, mythology and horror films.

The band has broken free from its original niche by courting mainstream publicity (often to the chagrin of its early fanbase). This increased accessibility has brought coverage from the likes of Kerrang! and MTV, along with frequent main stage appearances at major festivals such as Ozzfest, Download, and even the mainstream Sziget Festival. This has given the band a more "commercial" image. They have sometimes been perceived as satanic by casual observers, even though their outright lyrical references to satanism are few and far between. Their use of satanic imagery has arguably always been more for shock value, rather than any seriously held beliefs.


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Status

Unlocked
Last Edit by ExecNull
17th Dec 2024

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