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Track List
01) Spaceship
02) The Only
03) Awakening
04) How Much a Heart Can Hold
05) Throw My Arms Around the World
06) The Wild
07) Innocent
08) God's Work
09) Something Better's Coming
10) Imagined With Love
11) There Will Be a Better Day
12) I Do
01) Spaceship
02) The Only
03) Awakening
04) How Much a Heart Can Hold
05) Throw My Arms Around the World
06) The Wild
07) Innocent
08) God's Work
09) Something Better's Coming
10) Imagined With Love
11) There Will Be a Better Day
12) I Do
4:07
4:05
4:14
3:25
5:18
4:13
3:48
5:04
4:38
2:32
4:00
3:10
Data Complete
60%
Total Rating
60%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2022
Country
Good Natured
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Medium
Album
0 copies
Album Description
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God's Work opens with "Spaceship," a showstopping ballad where LeAnn Rimes is yearning for deliverance, suggesting that the album will be filled with the kind of showstoppers you'd expect from a vocalist who took home the crown on the fourth season of The Masked Singer. She may retain a taste for grand gestures, but God's Work does indeed deliver upon its titular promise: it's not a gospel album but rather a spiritual journey, one infused with questioning and hope. This interior quest allows Rimes to look far beyond herself, a widened perspective that is assisted by a number of guests including Aloe Blacc, Mickey Guyton, Ben Harper, Robert Randolph, Sheila E, Ledisi, and Ziggy Marley. That list of musicians suggests a diverse, inclusive record, which is generally true. "The Only," the track featuring Marley and Harper, may have a bit of a reggae lilt to its rhythm, but that's the exception to the rule; rather, Rimes fuses pop and world musics, occasionally adding a touch of country or soul as an accent. Most of God's Work unfolds at a stately pace that works its way to a forceful crescendo, a structure the album itself mirrors, as it concludes with the stirring Blacc duet "I Do." The dramatic air is heartfelt and striking, albeit a little monochromatic: it's an album delivered in grayscale, the sober execution suiting the probing songs but sounding slightly stifling over the course of 12 tracks.
User Album Review
God's Work opens with "Spaceship," a showstopping ballad where LeAnn Rimes is yearning for deliverance, suggesting that the album will be filled with the kind of showstoppers you'd expect from a vocalist who took home the crown on the fourth season of The Masked Singer. She may retain a taste for grand gestures, but God's Work does indeed deliver upon its titular promise: it's not a gospel album but rather a spiritual journey, one infused with questioning and hope. This interior quest allows Rimes to look far beyond herself, a widened perspective that is assisted by a number of guests including Aloe Blacc, Mickey Guyton, Ben Harper, Robert Randolph, Sheila E, Ledisi, and Ziggy Marley. That list of musicians suggests a diverse, inclusive record, which is generally true. "The Only," the track featuring Marley and Harper, may have a bit of a reggae lilt to its rhythm, but that's the exception to the rule; rather, Rimes fuses pop and world musics, occasionally adding a touch of country or soul as an accent. Most of God's Work unfolds at a stately pace that works its way to a forceful crescendo, a structure the album itself mirrors, as it concludes with the stirring Blacc duet "I Do." The dramatic air is heartfelt and striking, albeit a little monochromatic: it's an album delivered in grayscale, the sober execution suiting the probing songs but sounding slightly stifling over the course of 12 tracks.
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User Comments
Available in:
God's Work opens with "Spaceship," a showstopping ballad where LeAnn Rimes is yearning for deliverance, suggesting that the album will be filled with the kind of showstoppers you'd expect from a vocalist who took home the crown on the fourth season of The Masked Singer. She may retain a taste for grand gestures, but God's Work does indeed deliver upon its titular promise: it's not a gospel album but rather a spiritual journey, one infused with questioning and hope. This interior quest allows Rimes to look far beyond herself, a widened perspective that is assisted by a number of guests including Aloe Blacc, Mickey Guyton, Ben Harper, Robert Randolph, Sheila E, Ledisi, and Ziggy Marley. That list of musicians suggests a diverse, inclusive record, which is generally true. "The Only," the track featuring Marley and Harper, may have a bit of a reggae lilt to its rhythm, but that's the exception to the rule; rather, Rimes fuses pop and world musics, occasionally adding a touch of country or soul as an accent. Most of God's Work unfolds at a stately pace that works its way to a forceful crescendo, a structure the album itself mirrors, as it concludes with the stirring Blacc duet "I Do." The dramatic air is heartfelt and striking, albeit a little monochromatic: it's an album delivered in grayscale, the sober execution suiting the probing songs but sounding slightly stifling over the course of 12 tracks.
User Album Review
God's Work opens with "Spaceship," a showstopping ballad where LeAnn Rimes is yearning for deliverance, suggesting that the album will be filled with the kind of showstoppers you'd expect from a vocalist who took home the crown on the fourth season of The Masked Singer. She may retain a taste for grand gestures, but God's Work does indeed deliver upon its titular promise: it's not a gospel album but rather a spiritual journey, one infused with questioning and hope. This interior quest allows Rimes to look far beyond herself, a widened perspective that is assisted by a number of guests including Aloe Blacc, Mickey Guyton, Ben Harper, Robert Randolph, Sheila E, Ledisi, and Ziggy Marley. That list of musicians suggests a diverse, inclusive record, which is generally true. "The Only," the track featuring Marley and Harper, may have a bit of a reggae lilt to its rhythm, but that's the exception to the rule; rather, Rimes fuses pop and world musics, occasionally adding a touch of country or soul as an accent. Most of God's Work unfolds at a stately pace that works its way to a forceful crescendo, a structure the album itself mirrors, as it concludes with the stirring Blacc duet "I Do." The dramatic air is heartfelt and striking, albeit a little monochromatic: it's an album delivered in grayscale, the sober execution suiting the probing songs but sounding slightly stifling over the course of 12 tracks.
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