Album Title
Summer Walker
Artist Icon Over It (2019)
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First Released

Calendar Icon 2019

Genre

Genre Icon R&B

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Record Label Release

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Album Description
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Over It is the debut studio album by American singer Summer Walker. It was released on October 4, 2019, by LoveRenaissance and Interscope. The album has spawned the singles "Playing Games" and "Stretch You Out", and will also feature the remix of Walker's "Girls Need Love" featuring Drake. Aside from Drake, the album features collaborations with Bryson Tiller, Usher, 6lack, PartyNextDoor, A Boogie wit da Hoodie and Jhené Aiko, with most of the album produced by Walker's boyfriend, London on da Track. Walker will embark on the First and Last Tour in support of the album from October 25.

Promotion
An "old school" commercial was released via Walker's YouTube channel on September 30 to promote the album, which was compared to infomercials for R&B albums from the 1990s.Few days before the actual album release, Walker promoted the album by putting various payphone in various cities painted in the theme of the album. A phone number was to be dialed to listen to the album few days before.
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User Album Review
The 23-year-old Atlanta singer’s slow-groove R&B plays out like a telenovela, feeling irresistibly fresh, messy, and human.

Summer Walker’s slow-groove R&B sounds like it was conceived in the parking lot of an Atlanta strip club. Slow and sultry, it shifts from anger to love to frustration in a heartbeat, like she’s both the angel and the devil on your shoulder. The 23-year-old Atlanta singer hardly does interviews, and when she does, it’s like she’s being held against her will, mumbling with an emotionless stare and her hood up. That shyness disappears on records, where her voice is big yet gentle, and the tales pour out.

At her best, Summer Walker’s stories play out like a telenovela. On “Me,” a moody track in the middle of her debut album, Over It, she’s heartbroken and unsure how to react, so she runs through her options: not care, or be petty and send him a single-word text. Instead, she checks her purse, then the trunk of her car, and pulls out a gun. “I would never shoot you, baby/Maybe just wave it around,” she sings in a sweet but defeated tone. It’s relatable melodrama for some, maybe a cautionary tale for others.

But Walker’s detail is just as rich in the moments that come directly before she reaches her breaking point. “Playing Games” addresses the lame dudes that continue to take her passion for granted, only showing affection in private and refusing to acknowledge their relationship on Instagram. The A Boogie Wit Da Hoodie-assisted “Stretch You Out” shows that frustration beginning to bubble over. “You never wanna clean up/And you talk to me like shit/And you handle me too rough/And, at the end of the day you got the nerve to bring up that bitch,” she sings. Like much of Over It, both tracks feature production from her current love interest and executive producer London on da Track (“Drunk Dialing...LODT” is dedicated to him), who energizes her lovestruck ballads for the social media era with his signature ATL bounce.

Occasionally she steers into blander territory, like the well-written but sleepy “Fun Girl,” but a rotating collection of R&B’s most toxic crooners keeps the energy level high. On “Like It,” Walker is infatuated, while Atlanta’s 6LACK only has sex on his mind. She blames herself for her failed relationships on “Just Might,” her duet with PARTYNEXTDOOR (“I just might be a ho”), while the OVO signee plays the cheating boyfriend with every excuse. The pettiness reaches an apex on “I’ll Kill You,” when she vows “I’ll go to hell or jail about you boy” next to Jhené Aiko, like the final scene of a twisted revenge thriller.

Like many of her current R&B peers, Walker is working through her obsession with ’90s R&B. “Body” flips 702’s “Get It Together,” and “Come Thru,” both samples and features Usher. Otherwise, her writing is irresistibly fresh. Whether she has on love goggles or is shaking up her boyfriend by pointing a gun at him—out of love, of course—it’s part of what makes Summer Walker feel like a real person, making the real misguided decisions that happen when you’re over it, or telling yourself that you are.

SOURCE: https://pitchfork.com/reviews/albums/summer-walker-over-it/


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