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Track List
01) Fury
02) Carnivorous Lamb
03) Sugar
04) The Praying Mantis' Strategy
05) Monnalisa
06) Worship and Forget
07) Absinthe
08) Pissing on the Score
09) The Day We'll Be Gone
10) Embrace the Oblivion
11) Veleno
12) Reise, Reise
13) The Forsaking (Nocturnal version)
01) Fury
02) Carnivorous Lamb
03) Sugar
04) The Praying Mantis' Strategy
05) Monnalisa
06) Worship and Forget
07) Absinthe
08) Pissing on the Score
09) The Day We'll Be Gone
10) Embrace the Oblivion
11) Veleno
12) Reise, Reise
13) The Forsaking (Nocturnal version)
4:38
4:39
4:17
1:04
5:24
4:32
6:09
4:29
5:57
7:49
2:41
4:41
6:00
Data Complete
60%
Total Rating
60%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2019
Death Metal
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Medium
Album
0 copies
Album Description
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"Veleno" is the fifth full-length studio album from Italian heavy metal band Fleshgod Apocalypse. The album was released on 24th May 2019 through Nuclear Blast.
User Album Review
There is no doubt in my mind that Fleshgod Apocalypse is Francesco Paoli and Paoli is Fleshgod Apocalypse. Throughout the band’s career and record catalog Paoli has handled almost every instrument, rhythm and lead guitars, vocals, and drums. For many, his return to vocals is a welcome surprise, and his efforts are relentless on Veleno. The guitar riffs are unlike any of their recent albums, throwing back to their early albums Oracles and Mafia EP. which favored the “death metal” angle. The guitar riff break in Carnivorous Lamb sounded like an entirely different ban, before kicking right back into what we know and love, and any band that can throw a curveball at listeners like that shoot straight to the top. The keyboard arrangements and Francesco Ferrini’s performance, with blistering runs, cheesily overdone strings and slower piano segments are all top-notch. The ballad, The Day We’ll Be Gone is a masterpiece and needs no further justification. The addition of sessions operatic vocalist Veronica Bordacchini, is probably the best decisions Fleshgod could have possibly made, and her falsetto and melodramatic range cuts through like a beam of warm sunlight in the chaos of the instrumentals. Paolo Rossi is back at the bass, and his bass tones are massive on Veleno as are his trademark clean vocals. As a personal quibble, his clean vocals do overstay their welcome a tad, especially when they have Veronica on board. Yet, those who are a fan of his vocal stylings will not be disappointed, as there are plenty of his vocal segments on this record.
Apart from the slight overuse of Rossi’s clean vocals, Veleno is nearly flawless. Veleno is a summation of Fleshgod Apocalypse as a band, and n terrifying force to be reckoned with. A monstrous meld of fury and majesty is a perfect description of this album and will serve as a benchmark for their future efforts, as well as the industry standard for any other band bold enough to attempt what Fleshgod Apocalypse have mastered. AOTY contender!
Reviewed by Saif Shaikh for metalwani.com.
External Album Reviews
None...
User Comments
Available in:
"Veleno" is the fifth full-length studio album from Italian heavy metal band Fleshgod Apocalypse. The album was released on 24th May 2019 through Nuclear Blast.
User Album Review
There is no doubt in my mind that Fleshgod Apocalypse is Francesco Paoli and Paoli is Fleshgod Apocalypse. Throughout the band’s career and record catalog Paoli has handled almost every instrument, rhythm and lead guitars, vocals, and drums. For many, his return to vocals is a welcome surprise, and his efforts are relentless on Veleno. The guitar riffs are unlike any of their recent albums, throwing back to their early albums Oracles and Mafia EP. which favored the “death metal” angle. The guitar riff break in Carnivorous Lamb sounded like an entirely different ban, before kicking right back into what we know and love, and any band that can throw a curveball at listeners like that shoot straight to the top. The keyboard arrangements and Francesco Ferrini’s performance, with blistering runs, cheesily overdone strings and slower piano segments are all top-notch. The ballad, The Day We’ll Be Gone is a masterpiece and needs no further justification. The addition of sessions operatic vocalist Veronica Bordacchini, is probably the best decisions Fleshgod could have possibly made, and her falsetto and melodramatic range cuts through like a beam of warm sunlight in the chaos of the instrumentals. Paolo Rossi is back at the bass, and his bass tones are massive on Veleno as are his trademark clean vocals. As a personal quibble, his clean vocals do overstay their welcome a tad, especially when they have Veronica on board. Yet, those who are a fan of his vocal stylings will not be disappointed, as there are plenty of his vocal segments on this record.
Apart from the slight overuse of Rossi’s clean vocals, Veleno is nearly flawless. Veleno is a summation of Fleshgod Apocalypse as a band, and n terrifying force to be reckoned with. A monstrous meld of fury and majesty is a perfect description of this album and will serve as a benchmark for their future efforts, as well as the industry standard for any other band bold enough to attempt what Fleshgod Apocalypse have mastered. AOTY contender!
Reviewed by Saif Shaikh for metalwani.com.
External Album Reviews
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