Album Title
Radiohead
Artist Icon Airbag / How Am I Driving? (1998)
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First Released

Calendar Icon 1998

Genre

Genre Icon Alternative Rock

Mood

Mood Icon Sad

Style

Style Icon Rock/Pop

Theme

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Tempo

Speed Icon Medium

Release Format

Release Format Icon EP

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Album Description
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Once the incredible OK Computer went platinum, proving (at last) to be as impressive to the populace as to the press, Capitol salivated for quick new product, with a new LP two years away. Fortunately for the company that made Sinatra and the Beatles famous, their powerhouse Oxford five had been releasing B-sides in the U.K., on the back of the singles "Paranoid Android," "Karma Police," and "No Surprises." Presto!! Out pops this seven-song mini-LP, basically the LP's "Airbag" and six B-sides. Mind you, Radiohead are effective judges of their own material. Unlike many U.K. bands, they never serve up a non-LP track so fantastic it should have made the first team. But Airbag is a fine purchase, as their lesser material is still provocative, ambitiously stretching (Thom Yorke and pals take a few chances, such as the spacy instrumental here, "Meeting in the Aisle"), and, as usual, clash several moods together at once
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User Album Review
Once the incredible OK Computer went platinum, proving (at last) to be as impressive to the populace as to the press, Capitol salivated for quick new product, with a new LP two years away. Fortunately for the company that made Sinatra and the Beatles famous, their powerhouse Oxford five had been releasing B-sides in the U.K., on the back of the singles "Paranoid Android," "Karma Police," and "No Surprises." Presto!! Out pops this seven-song mini-LP, basically the LP's "Airbag" and six B-sides. Mind you, Radiohead are effective judges of their own material. Unlike many U.K. bands, they never serve up a non-LP track so fantastic it should have made the first team. But Airbag is a fine purchase, as their lesser material is still provocative, ambitiously stretching (Thom Yorke and pals take a few chances, such as the spacy instrumental here, "Meeting in the Aisle"), and, as usual, clash several moods together at once


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