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Track List
01) Railroad
02) Ride to U
03) What'cha Gonna Do
04) Little Birdie
05) New South Africa
06) Pretty Polly
07) Shotgun Blues
08) For Children: №3 Quasi adagio, №10 Alleg
09) And Am I Born to Die
10) Banjo Banjo
11) What Are They Doing in Heaven Today?
12) Bye Bye Baby Blues
01) Railroad
02) Ride to U
03) What'cha Gonna Do
04) Little Birdie
05) New South Africa
06) Pretty Polly
07) Shotgun Blues
08) For Children: №3 Quasi adagio, №10 Alleg
09) And Am I Born to Die
10) Banjo Banjo
11) What Are They Doing in Heaven Today?
12) Bye Bye Baby Blues
3:38
4:17
3:48
4:21
4:36
3:45
3:18
2:16
4:02
3:51
4:36
3:27
Data Complete
40%
Total Rating
40%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2014
Folk
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Medium
Album
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Album Description
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Béla Fleck and Abigail Washburn is a front porch banjo and vocal album of new music, Appalachian murder ballads, gospel, chamber and blues; the culmination of a yearlong tour as a duo in 2013
Washburn and Fleck didn’t confine themselves to playing their usual workhorses, her Ome Jubilee and his pre-war Gibson Mastertone Style 75. Between them, they used seven different banjos in all, including a cello banjo, a ukulele banjo that technically belongs to Juno and a baritone banjo that Fleck commissioned specifically for this album.
“We had this vision of playing different banjos in different registers,” he says, “finding a way to make every song have its own unique stamp, yet the whole project having a big, cohesive sound – with only two people.” (A giggling Juno is the only other person who appears anywhere on the album.)
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Available in:
Béla Fleck and Abigail Washburn is a front porch banjo and vocal album of new music, Appalachian murder ballads, gospel, chamber and blues; the culmination of a yearlong tour as a duo in 2013
Washburn and Fleck didn’t confine themselves to playing their usual workhorses, her Ome Jubilee and his pre-war Gibson Mastertone Style 75. Between them, they used seven different banjos in all, including a cello banjo, a ukulele banjo that technically belongs to Juno and a baritone banjo that Fleck commissioned specifically for this album.
“We had this vision of playing different banjos in different registers,” he says, “finding a way to make every song have its own unique stamp, yet the whole project having a big, cohesive sound – with only two people.” (A giggling Juno is the only other person who appears anywhere on the album.)
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