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Track List
01) Aquarius
02) Donna
03) Hashish
04) Sodomy
05) Colored Spade
06) Manchester England
07) I'm Black
08) Ain't Got No
09) Air
10) Initials
11) I Got Life
12) Hair
13) My Conviction
14) Don't Put It Down
15) Frank Mills
16) Be-In
17) Where Do I Go
18) Black Boys
19) White Boys
20) Easy to Be Hard
21) Walking in Space
22) Abie Baby
23) Three-Five-Zero-Zero
24) What a Piece of Work Is Man
25) Good Morning Starshine The
26) Flesh Failures (Let the Sunshine in)
01) Aquarius
02) Donna
03) Hashish
04) Sodomy
05) Colored Spade
06) Manchester England
07) I'm Black
08) Ain't Got No
09) Air
10) Initials
11) I Got Life
12) Hair
13) My Conviction
14) Don't Put It Down
15) Frank Mills
16) Be-In
17) Where Do I Go
18) Black Boys
19) White Boys
20) Easy to Be Hard
21) Walking in Space
22) Abie Baby
23) Three-Five-Zero-Zero
24) What a Piece of Work Is Man
25) Good Morning Starshine The
26) Flesh Failures (Let the Sunshine in)
2:48
2:10
0:55
0:50
1:10
1:18
0:28
0:41
1:26
0:53
3:03
2:56
1:37
1:59
2:04
3:00
2:39
1:08
2:26
2:33
4:43
2:42
3:09
1:34
2:28
3:35
Data Complete
50%
Total Rating
50%Total Rating
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Rock/Pop
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Album Description
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"Hair: The American Tribal Love-Rock Musical" was a rock musical, with a book and lyrics, by James Rado and Gerome Ragni and music by Galt MacDermot.
A product of the hippie counterculture and sexual revolution of the late 1960s, several of its songs became anthems of the anti-Vietnam War peace movement. The musical's profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its nude scene caused much comment and controversy. The musical broke new ground in musical theatre by defining the genre of "rock musical", using a racially integrated cast, and inviting the audience onstage for a "Be-In" finale.
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Available in:
"Hair: The American Tribal Love-Rock Musical" was a rock musical, with a book and lyrics, by James Rado and Gerome Ragni and music by Galt MacDermot.
A product of the hippie counterculture and sexual revolution of the late 1960s, several of its songs became anthems of the anti-Vietnam War peace movement. The musical's profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its nude scene caused much comment and controversy. The musical broke new ground in musical theatre by defining the genre of "rock musical", using a racially integrated cast, and inviting the audience onstage for a "Be-In" finale.
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None...
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