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Track List
01) Middle Child
02) Two Pillow Sleeper
03) Just Between You And Me
04) I'm Not Crying Over You
05) He Lets Her Memory Go (Wild)
06) Chicken Bill
07) When I Was Abroad
08) Where No One Else Will Find It
09) That's The Very Moment
10) A New Love (Can Be Found)
01) Middle Child
02) Two Pillow Sleeper
03) Just Between You And Me
04) I'm Not Crying Over You
05) He Lets Her Memory Go (Wild)
06) Chicken Bill
07) When I Was Abroad
08) Where No One Else Will Find It
09) That's The Very Moment
10) A New Love (Can Be Found)
3:48
3:51
3:39
2:53
5:02
2:31
2:16
2:40
4:14
3:33
Data Complete
50%
Total Rating
50%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2013
Post-Punk
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Country
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Medium
Album
0 copies
Album Description 
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User Album Review
Come Cry With Me is, as the title suggests, a blue and lonesome album. Featuring ten songs about loss, about pain, about the lingering ache of regret, Romano takes us on a trip through the emotional ringer. Between the impossibly tragic opening track—the lament of a “Middle Child” whose mother has given him away while keeping her other two children—and the devastatingly hopeless hopefulness of closer “A New Love (Can Be Found)”, Romano plays the storyteller, the confessor, and the confidant with equal self-possession. On “I’m Not Crying Over You” he flips the script from the old Buck Owens number “Act Naturally”, here playing the heartbroken actor using his role as cover for his public weeping; on the utter masterpiece “He Lets Her Memory Go (Wild)” he builds a dreamy sonic universe into which he pours images of a lonely man holding it all in until, every once in a while, he lets out all of that pent-up emotion, recalling “the sounds in the kitchen [and] the tears of a child”. Oh, man. Come cry with him, people.
Backed by sensitive work from Aaron Goldstein (pedal steel guitar), Natalie Walker (fiddle), and a reverb-drenched choir comprised of Canadian indie musicians Julie Doiron, Misha Bower (Bruce Peninsula), Tamara Lindeman (The Weather Station), and Dallas Good (The Sadies), Romano builds that most welcome of atmospheres: a straight-ahead, honest collaboration between like-minded artists committed to the songs.There is simply no note out of place.
If there is a flaw in this record, it is in the one-two of “Chicken Bill” and “When I Was Abroad” which opens the second half of the album. While the former is a playful—if perhaps underdeveloped—road tale (deeply in debt to Johnny Cash and John Stewart), it ends on a cliffhanger that the latter torpedoes by filling in the blanks for us. But this is a minor issue when weighed against the grand success of the other eight songs here, a collection of tunes both idiosyncratic and classic, the kind of material you can instantly imagine as standards in your local bar band’s repertoire. The kind of stuff that will, if there’s any sense in this world, soon be immediately recognizable as a “Daniel Romano song”.
External Album Reviews
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User Comments
Click yellow EDIT Button add one in English or another language
User Album Review
Come Cry With Me is, as the title suggests, a blue and lonesome album. Featuring ten songs about loss, about pain, about the lingering ache of regret, Romano takes us on a trip through the emotional ringer. Between the impossibly tragic opening track—the lament of a “Middle Child” whose mother has given him away while keeping her other two children—and the devastatingly hopeless hopefulness of closer “A New Love (Can Be Found)”, Romano plays the storyteller, the confessor, and the confidant with equal self-possession. On “I’m Not Crying Over You” he flips the script from the old Buck Owens number “Act Naturally”, here playing the heartbroken actor using his role as cover for his public weeping; on the utter masterpiece “He Lets Her Memory Go (Wild)” he builds a dreamy sonic universe into which he pours images of a lonely man holding it all in until, every once in a while, he lets out all of that pent-up emotion, recalling “the sounds in the kitchen [and] the tears of a child”. Oh, man. Come cry with him, people.
Backed by sensitive work from Aaron Goldstein (pedal steel guitar), Natalie Walker (fiddle), and a reverb-drenched choir comprised of Canadian indie musicians Julie Doiron, Misha Bower (Bruce Peninsula), Tamara Lindeman (The Weather Station), and Dallas Good (The Sadies), Romano builds that most welcome of atmospheres: a straight-ahead, honest collaboration between like-minded artists committed to the songs.There is simply no note out of place.
If there is a flaw in this record, it is in the one-two of “Chicken Bill” and “When I Was Abroad” which opens the second half of the album. While the former is a playful—if perhaps underdeveloped—road tale (deeply in debt to Johnny Cash and John Stewart), it ends on a cliffhanger that the latter torpedoes by filling in the blanks for us. But this is a minor issue when weighed against the grand success of the other eight songs here, a collection of tunes both idiosyncratic and classic, the kind of material you can instantly imagine as standards in your local bar band’s repertoire. The kind of stuff that will, if there’s any sense in this world, soon be immediately recognizable as a “Daniel Romano song”.
External Album Reviews
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