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Track List
01) Pretty Green
02) Monday
03) But I'm Different Now
04) Set the House Ablaze
05) Start!
06) That's Entertainment
07) Dream Time
08) Man in the Corner Shop
09) Music for the Last Couple
10) Boy About Town
11) Scrape Away
Cd 2
01) Start! (single version)
02) Liza Radley
03) Dreams of Children
04) That's Entertainment (alternate)
05) Pretty Green (demo)
06) Pop Art Poem
07) Rain (demo)
08) Boy About Town (demo)
09) Dream Time (demo)
10) Dead End Street (demo)
11) But I'm Different Now (demo)
12) Scrape Away (instrumental)
13) Start! (demo)
14) Liza Radley (demo)
15) And Your Bird Can Sing (demo)
16) Monday (alternate)
17) Get Yourself Together (demo)
18) Set the House Ablaze (alternate)
19) Boy About Town (alternate)
20) No One in the World (demo)
21) ‘Instrumental' (demo)
22) Waterloo Sunset (demo)
01) Pretty Green
02) Monday
03) But I'm Different Now
04) Set the House Ablaze
05) Start!
06) That's Entertainment
07) Dream Time
08) Man in the Corner Shop
09) Music for the Last Couple
10) Boy About Town
11) Scrape Away
Cd 2
01) Start! (single version)
02) Liza Radley
03) Dreams of Children
04) That's Entertainment (alternate)
05) Pretty Green (demo)
06) Pop Art Poem
07) Rain (demo)
08) Boy About Town (demo)
09) Dream Time (demo)
10) Dead End Street (demo)
11) But I'm Different Now (demo)
12) Scrape Away (instrumental)
13) Start! (demo)
14) Liza Radley (demo)
15) And Your Bird Can Sing (demo)
16) Monday (alternate)
17) Get Yourself Together (demo)
18) Set the House Ablaze (alternate)
19) Boy About Town (alternate)
20) No One in the World (demo)
21) ‘Instrumental' (demo)
22) Waterloo Sunset (demo)
2:37
3:01
1:51
5:02
2:32
3:38
3:54
3:14
3:44
2:00
4:01
2:19
2:33
2:58
3:23
2:37
2:10
2:57
2:18
1:51
3:15
1:56
1:59
2:17
2:17
1:54
4:19
1:59
4:47
2:14
2:24
2:54
3:58
Data Complete
60%
Total Rating
60%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1980
New Wave
Gritty
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
Unhappy with the slicker approach of Setting Sons, the Jam got back to basics, using the direct, economic playing of All Mod Cons and "Going Underground," the simply brilliant single which preceded Sound Affects by a few months. Thematically, though, Paul Weller explored a more indirect path, leaving behind (for the most part) the story-song narratives in favor of more abstract dealings in spirituality and perception -- the approach stemming from his recent readings of Blake and Shelley (who was quoted on the sleeve), but more specifically Geoffrey Ash, whose Camelot and the Vision of Albion made a strong impression. Musically, Weller drew upon Revolver-era Beatles as a primary source (the bassline on "Start," which comes directly from "Taxman," being the most obvious occurrence), incorporating the occasional odd sound and echoed vocal, which implied psychedelia without succumbing to its excesses. From beginning to end, the songs are pure, clever, infectious pop -- probably their catchiest -- with "That's Entertainment" and the should-have-been-a-single "Man in the Corner Shop" standing out.
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User Comments
Available in:
Unhappy with the slicker approach of Setting Sons, the Jam got back to basics, using the direct, economic playing of All Mod Cons and "Going Underground," the simply brilliant single which preceded Sound Affects by a few months. Thematically, though, Paul Weller explored a more indirect path, leaving behind (for the most part) the story-song narratives in favor of more abstract dealings in spirituality and perception -- the approach stemming from his recent readings of Blake and Shelley (who was quoted on the sleeve), but more specifically Geoffrey Ash, whose Camelot and the Vision of Albion made a strong impression. Musically, Weller drew upon Revolver-era Beatles as a primary source (the bassline on "Start," which comes directly from "Taxman," being the most obvious occurrence), incorporating the occasional odd sound and echoed vocal, which implied psychedelia without succumbing to its excesses. From beginning to end, the songs are pure, clever, infectious pop -- probably their catchiest -- with "That's Entertainment" and the should-have-been-a-single "Man in the Corner Shop" standing out.
User Album Review
None...
External Album Reviews
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