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Back Cover
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CD Art
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3D Case
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First Released

Calendar Icon 2012

Genre

Genre Icon Alternative Rock

Mood

Mood Icon Gentle

Style

Style Icon Rock/Pop

Theme

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Tempo

Speed Icon Medium

Release Format

Release Format Icon Compilation

Record Label Release

Speed Icon Warner Bros. Records

World Sales Figure

Sales Icon 0 copies

Album Description
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he Flaming Lips and Heady Fwends is a collaborative studio album by The Flaming Lips. Recorded throughout 2011 and 2012, the album was released as a limited edition on vinyl for Record Store Day on April 21, 2012 and on CD and digitally on June 26, 2012. Four songs from the album were previously released on collaborative EPs in 2011.

Following their last full-length album, 2009's Embryonic, the band produced several EPs with other artists including Neon Indian, Lightning Bolt, Prefuse 73, and Yoko Ono. Four tracks from these sessions appear on the album. The remaining seven songs were recorded at different times and locations, and are exclusive to the LP. The CD and digital releases of the album omit the track "I Don't Want You to Die," featuring Chris Martin, but feature an exclusive track with Aaron Behrens of Ghostland Observatory, "Tasered and Maced."

The Erykah Badu version of Roberta Flack's "The First Time Ever I Saw Your Face", was a result of Lips frontman Wayne Coyne's unsolicited calls to the singer. Badu was initially opposed to covering the well-known 1972 song, but Coyne was able to convince her.

Other pairings resulted from the iniative of other artists, such as the Kesha track. Kesha had expressed interest in working with the Flaming Lips while visiting the band's hometown, Oklahoma City. She contacted Coyne by text message on his birthday. Her track, "2012 (You Must Be Upgraded)", was recorded in Kesha's home studio in Nashville.
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User Album Review
Following The Soft Bulletin, Yoshimi Battles the Pink Robots and At War With the Mystics, The Flaming Lips were poised to supplant R.E.M. as the world’s biggest major-label alternative rock band. But never ones to do the obvious, 2009’s Embryonic was anti-commercial even by their early-career standards.

Instead of panicking, the Lips have spent 2012 experimenting more wantonly than ever. They’ve ploughed forward, recording a six-hour song, then a 24-hour one, and finally an album with musicians as wildly disparate as Ke$ha and Nick Cave, Chris Martin and Prefuse 73.

That album, Heady Fwends, was a limited-run release for Record Store Day 2012, and it’s now being made widely available by their new label, Bella Union. On many levels it’s a delight. In terms of their ability to attract A-list names, both underground and mainstream, the Lips are the Woody Allens of pop ”“ credit to ringmaster Wayne Coyne for consistently taking them out of their usual contexts or comfort zones.

And for sheer frazzled sonics and sci-fi future textures, Heady Fwends can’t be beat. Actual songs are few and far between, and anyone looking for heart-stopping melodies will be disappointed. But if you’re in the mood for a 70-minute aural assault, listen no further.

The Ke$ha/Biz Markie team-up, 2012, is an update of The Stooges’ 1969, Ms Sebert relishing her role as a cyborg Iggy. Ashes in the Air, featuring Bon Iver, and Do It!, with Yoko Ono, feel unfinished: less songs, more agglomerations of sounds to test the range of your stereo equipment, and your patience. The Prefuse 73-starring Supermoon Made Me Want to Pee is like the BBC Radiophonic Workshop in a black hole.

Children of the Moon, with Tame Impala, is the closest thing here to a potential single, equal parts sonic phantasmagoria and simple acoustica. The Nick Cave track, You, Man? Human???, is like Dylan meets Disney in Dusseldorf. And The First Time Ever I Saw Your Face ”“ its video the cause of a recent heated Twitter rant from its guest, Erykah Badu ”“ resembles a cosmic version of what Isaac Hayes used to do to Burt Bacharach.

Like we said: never ones to do the obvious.


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