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Track List
01) Intro
02) In My Hood
03) This Is 50
04) I'm Supposed to Die Tonight
05) Piggy Bank
06) Gatman and Robbin'
07) Candy Shop
08) Outta Control
09) Get in My Car
10) Ski Mask Way
11) A Baltimore Love Thing
12) Ryder Music
13) Disco Inferno
14) Just a Lil Bit
15) Gunz Come Out
16) My Toy Soldier
17) Position of Power
18) Build You Up
19) God Gave Me Style
20) So Amazing
21) I Don't Need 'Em
22) Hate It or Love It (G-Unit remix) (feat. The
01) Intro
02) In My Hood
03) This Is 50
04) I'm Supposed to Die Tonight
05) Piggy Bank
06) Gatman and Robbin'
07) Candy Shop
08) Outta Control
09) Get in My Car
10) Ski Mask Way
11) A Baltimore Love Thing
12) Ryder Music
13) Disco Inferno
14) Just a Lil Bit
15) Gunz Come Out
16) My Toy Soldier
17) Position of Power
18) Build You Up
19) God Gave Me Style
20) So Amazing
21) I Don't Need 'Em
22) Hate It or Love It (G-Unit remix) (feat. The
0:41
3:51
3:04
3:51
4:15
3:46
3:29
3:21
4:05
3:05
4:17
3:51
3:34
3:57
4:24
3:44
3:12
2:55
3:01
3:16
3:20
4:22
Data Complete
100%
Total Rating
100%Total Rating
(4 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2005
Hip-Hop
Angry
Urban/R&B
---
Medium
Album
6,000,000 copies
Album Description
Available in:
The Massacre est le deuxième album studio de 50 Cent, sorti le 3 mars 2005 sous les même labels Shady et Aftermath.
1,14 million de copies de The Massacre se sont vendues en quatre jours. Il s'agit de la sixième meilleure performance de vente de tous les temps. L'album s'écoulera finalement à 5,2 millions d'exemplaires aux États-Unis. Il comprend des titres à succès comme Disco Inferno, Piggy Bank, Just a Lil Bit et également Candy Shop en duo avec Olivia qui est devenu un succès planétaire.
User Album Review
With the success of 2003's 'Get Rich Or Die Trying' being largely down to its protagonist getting shot nine times, you can see how promotion for the follow-up might have left Curtis '50 Cent' Jackson in a quandary.
So, possibly in an act of self-preservation, he's decided to make words his weapon and employed that standard rap machine hype tactic: The Beef. Unfortunately, 50 being 50, this has gotten out of hand. The man's beefs are so excessive they read longer than the average rap album's credits roll.
In the space of one track ("Piggy Bank") he's already snubbed ,Kelis, Nas, Fat Joe, Shyne and Jadakiss, while a well-documented (and well-timed) spat with The Game suggests even his friends arent safe. So it wasa surprise to precisely no one that The Massacres release (rushed, predictably, as 'the street can't wait') was marked by yet another shooting.
Given the resulting column inches, it's tempting to judge the whole exercise as the sequel to some kind of big budget no-brainer action movie - one starring Vin Diesel. From the cartoonish cover onwards, which buffs 50 up to superhero proportions, it's pretty obviously that the brand ('White Americas worst nightmare®') and not the content thats being sold to us.
But, in case we forget, there is a CD in here, too, and unfortunately this is something even 50 can't hide from.
Interestingly, this time around, Dre has taken a back seat and left production duties to a string of mercenaries. Perhaps he was embarrassed. Certainly, there's nothing as thrillingly awesome as "In Da Club", although "Candy Shop" makes a decent stab of impersonating it.
All told, The Massacre is pretty predictable stuff. Lyrically unimaginative, 50 raps like a machine. Musically, it's competent at best. Picture 78 minutes of G-funk, big repetitive loops and big dramatic strings all stitched together with the recurrent sound of gunfire.
As a marketing exercise it's genius -50 knows what his audience wants and he delivers it in spades. He's on his way to becoming raps own Mike Tyson. But much more of this and his career is liable to end up the same way.
External Album Reviews
None...
User Comments
Available in:
The Massacre est le deuxième album studio de 50 Cent, sorti le 3 mars 2005 sous les même labels Shady et Aftermath.
1,14 million de copies de The Massacre se sont vendues en quatre jours. Il s'agit de la sixième meilleure performance de vente de tous les temps. L'album s'écoulera finalement à 5,2 millions d'exemplaires aux États-Unis. Il comprend des titres à succès comme Disco Inferno, Piggy Bank, Just a Lil Bit et également Candy Shop en duo avec Olivia qui est devenu un succès planétaire.
User Album Review
With the success of 2003's 'Get Rich Or Die Trying' being largely down to its protagonist getting shot nine times, you can see how promotion for the follow-up might have left Curtis '50 Cent' Jackson in a quandary.
So, possibly in an act of self-preservation, he's decided to make words his weapon and employed that standard rap machine hype tactic: The Beef. Unfortunately, 50 being 50, this has gotten out of hand. The man's beefs are so excessive they read longer than the average rap album's credits roll.
In the space of one track ("Piggy Bank") he's already snubbed ,Kelis, Nas, Fat Joe, Shyne and Jadakiss, while a well-documented (and well-timed) spat with The Game suggests even his friends arent safe. So it wasa surprise to precisely no one that The Massacres release (rushed, predictably, as 'the street can't wait') was marked by yet another shooting.
Given the resulting column inches, it's tempting to judge the whole exercise as the sequel to some kind of big budget no-brainer action movie - one starring Vin Diesel. From the cartoonish cover onwards, which buffs 50 up to superhero proportions, it's pretty obviously that the brand ('White Americas worst nightmare®') and not the content thats being sold to us.
But, in case we forget, there is a CD in here, too, and unfortunately this is something even 50 can't hide from.
Interestingly, this time around, Dre has taken a back seat and left production duties to a string of mercenaries. Perhaps he was embarrassed. Certainly, there's nothing as thrillingly awesome as "In Da Club", although "Candy Shop" makes a decent stab of impersonating it.
All told, The Massacre is pretty predictable stuff. Lyrically unimaginative, 50 raps like a machine. Musically, it's competent at best. Picture 78 minutes of G-funk, big repetitive loops and big dramatic strings all stitched together with the recurrent sound of gunfire.
As a marketing exercise it's genius -50 knows what his audience wants and he delivers it in spades. He's on his way to becoming raps own Mike Tyson. But much more of this and his career is liable to end up the same way.
External Album Reviews
None...
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