Album Title
Gwen Stefani
Artist Icon The Sweet Escape (2006)
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First Released

Calendar Icon 2006

Genre

Genre Icon Pop

Mood

Mood Icon Carefree

Style

Style Icon Rock/Pop

Theme

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Tempo

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Release Format

Release Format Icon Album

Record Label Release

Speed Icon Interscope Records

World Sales Figure

Sales Icon 2,000,000 copies

Album Description
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The Sweet Escape er det andre studioalbumet av amerikanske plateartist Gwen Stefani . Det ble utgitt 1. desember 2006 av Interscope Records. Etter å ha opprinnelig ment å gå tilbake til No Doubt etter hennes 2004-soloalbum Love. Angel. Music. Baby., bestemte Stefani å spille inn sitt andre album for å bruke opp materialet somm ikke ble bruk på LAMB. Albumet ligner musikalsk forgjengeren men det utforskes mer moderne pop. Albumet ble sluppet til generelt blandede anmeldelser fra moderne musikk-kritikere , og mottok spesielt negativ kritikk for sine sterke likheter med LAMB

Albumet ble innledet av den første singelen " Wind It Up ", som havnet moderat på lister verden over, fulgt opp av singelen " The Sweet Escape " , som viste seg mer vellykket. "The Sweet Escape" nådde topp fem i USA , Canada og Australia , og toppet seg inne i topp tjue i Storbritannia . The Sweet Escape - Tour startet i april 2007. Og dekket Nord-Amerika, Sør-Amerika , Australia , Asia og Europa.
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User Album Review
Everyone’s favourite hollaback girl is back! Gwen’s second solo album, Sweet Escape opens with “Wind it Up”, sampling the Sound of Music’s “Lonely Goat Herd”, singing about being a girl, and exactly why boys adore them. Suddenly you realise you’ve missed having Ms Stefani in your life.

A mistress of the synthetic sound, with lyrics that allude to smart girlie conversations over a cuppa, Gwen’s taken all the big hitters, ranging from Nellee Hooper to Keane’s Tim Rice-Oakley to contribute. She’s mixed them all up, soaking up trends that ensure she’s played in all the gyms and Topshops nationwide, but she’s not letting anyone take over. She’s big enough for all of them.

Topics span apologising for being grumpy (“The Sweet Escape”) men who lie, making her cry (the Cardigans-esque “Early Winter”), and being an unremarkable small town girl, a la J Lo (“Orange County girl”). As with her first album there are a few bland fillers, and she seems to lose her way a bit with “Breakin’ up”, a track about frustrating mobile conversations, but there’s enough trademark majorette drumming to carry the album off. “Yummy” sums her up, coquettish, amusing, annoying and hip wiggling in equal measure. All this and a new baby. Not bad.



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