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First Released

Calendar Icon 1973

Genre

Genre Icon Rock

Mood

Mood Icon Enlightened

Style

Style Icon Rock/Pop

Theme

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Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Columbia

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Sales Icon 0 copies

Album Description
Available in: Country Icon Country Icon Country Icon Country Icon Country Icon Country Icon Country Icon
The Wild, the Innocent & the E Street Shuffle är ett musikalbum av Bruce Springsteen utgivet av skivbolaget Columbia Records den 11 september 1973.

Albumet gavs ut samma år som Greetings from Asbury Park, N.J.. Romantiken i "Rosalita" och "Incident On 57th Street" gav en föraning om Springsteens karriär som rockmusiker och textförfattare. Även om albumet inte såldes i någon större omfattning så fick det lysande kritik och utsågs till Årets bästa Album av tidningen Rolling Stone.
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User Album Review
"And the kids down there, either dancing or hooked up in a scuffle
Dressed in snakeskin suits, packed with Detroit muscle
They're doing the E Street shuffle"


Bruce Springsteen's second album found him at a pivotal point in his development. The most musically expansive record of his career, THE WILD, THE INNOCENT & THE E STREET SHUFFLE found Bruce beginning to find his own sound, moving beyond the Dylan-meets-Van Morrison folk-rock of his debut. Though the signature Spector-on-steroids E Street Band sound wouldn't fall fully into place until the next album, this one sounds like a sudden realisation of a universe of musical possibilities. While this is solidly a rock record, there are hints of jazz, blues, soul, Latin music, and more. This would be the only time the cinematic vistas of Springsteen's early lyrics were matched by equally impressionistic music. "Wild Billy's Circus Story" marks the point on wildly divergent career paths when Springsteen and Tom Waits seemed to intersect. "4th of July, Asbury Park" and "Rosalita (Come Out Tonight)" are unlike anything that had come before them, story-songs full of shifts in tone, dynamics, and mood that are as surprising as they are evocative. Springsteen hadn't yet transformed into the Rock God he'd soon become, but THE WILD, THE INNOCENT... clearly shows him already well on his way.


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