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Track List
01) The E Street Shuffle
02) 4th of July, Asbury Park (Sandy)
03) Kitty's Back
04) Wild Billy's Circus Story
05) Incident on 57th Street 
06) Rosalita (Come Out Tonight)
07) New York City Serenade
01) The E Street Shuffle
02) 4th of July, Asbury Park (Sandy)
03) Kitty's Back
04) Wild Billy's Circus Story
05) Incident on 57th Street
06) Rosalita (Come Out Tonight)
07) New York City Serenade
4:30
5:36
7:09
4:47
7:45
7:04
9:55
Data Complete
100%
Total Rating
100%Total Rating
(3 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1973
Rock
Enlightened
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
『青春の叫び』（原題：The Wild, the Innocent & the E Street Shuffle）は、アメリカ合衆国のロック・ミュージシャン、ブルース・スプリングスティーンが1973年9月11日に発表した2作目のスタジオ・アルバム。
前作『アズベリー・パークからの挨拶』（1973年）と同様、後に「Eストリート・バンド」と呼ばれるバックアップ・バンドのメンバーが参加しているが、ドラマーのヴィニ・ロペスは本作リリース後の1974年2月に解雇される。「ニューヨーク・シティ・セレナーデ」は、スプリングスティーンが1972年にコロムビア・レコードのオーディションを受けた際に歌った曲「Vibes Man」から発展して作られた曲である。
スプリングスティーン自身は2009年、本作の歌詞に関して「半分の曲はニュージャージー州と、俺達の街角の周りについての曲で、残りの半分はニューヨークに関する俺のロマンティックな幻想さ」とコメントしている。
User Album Review
"And the kids down there, either dancing or hooked up in a scuffle
Dressed in snakeskin suits, packed with Detroit muscle
They're doing the E Street shuffle"
Bruce Springsteen's second album found him at a pivotal point in his development. The most musically expansive record of his career, THE WILD, THE INNOCENT & THE E STREET SHUFFLE found Bruce beginning to find his own sound, moving beyond the Dylan-meets-Van Morrison folk-rock of his debut. Though the signature Spector-on-steroids E Street Band sound wouldn't fall fully into place until the next album, this one sounds like a sudden realisation of a universe of musical possibilities. While this is solidly a rock record, there are hints of jazz, blues, soul, Latin music, and more. This would be the only time the cinematic vistas of Springsteen's early lyrics were matched by equally impressionistic music. "Wild Billy's Circus Story" marks the point on wildly divergent career paths when Springsteen and Tom Waits seemed to intersect. "4th of July, Asbury Park" and "Rosalita (Come Out Tonight)" are unlike anything that had come before them, story-songs full of shifts in tone, dynamics, and mood that are as surprising as they are evocative. Springsteen hadn't yet transformed into the Rock God he'd soon become, but THE WILD, THE INNOCENT... clearly shows him already well on his way.
External Album Reviews
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User Comments
Available in:
『青春の叫び』（原題：The Wild, the Innocent & the E Street Shuffle）は、アメリカ合衆国のロック・ミュージシャン、ブルース・スプリングスティーンが1973年9月11日に発表した2作目のスタジオ・アルバム。
前作『アズベリー・パークからの挨拶』（1973年）と同様、後に「Eストリート・バンド」と呼ばれるバックアップ・バンドのメンバーが参加しているが、ドラマーのヴィニ・ロペスは本作リリース後の1974年2月に解雇される。「ニューヨーク・シティ・セレナーデ」は、スプリングスティーンが1972年にコロムビア・レコードのオーディションを受けた際に歌った曲「Vibes Man」から発展して作られた曲である。
スプリングスティーン自身は2009年、本作の歌詞に関して「半分の曲はニュージャージー州と、俺達の街角の周りについての曲で、残りの半分はニューヨークに関する俺のロマンティックな幻想さ」とコメントしている。
User Album Review
"And the kids down there, either dancing or hooked up in a scuffle
Dressed in snakeskin suits, packed with Detroit muscle
They're doing the E Street shuffle"
Bruce Springsteen's second album found him at a pivotal point in his development. The most musically expansive record of his career, THE WILD, THE INNOCENT & THE E STREET SHUFFLE found Bruce beginning to find his own sound, moving beyond the Dylan-meets-Van Morrison folk-rock of his debut. Though the signature Spector-on-steroids E Street Band sound wouldn't fall fully into place until the next album, this one sounds like a sudden realisation of a universe of musical possibilities. While this is solidly a rock record, there are hints of jazz, blues, soul, Latin music, and more. This would be the only time the cinematic vistas of Springsteen's early lyrics were matched by equally impressionistic music. "Wild Billy's Circus Story" marks the point on wildly divergent career paths when Springsteen and Tom Waits seemed to intersect. "4th of July, Asbury Park" and "Rosalita (Come Out Tonight)" are unlike anything that had come before them, story-songs full of shifts in tone, dynamics, and mood that are as surprising as they are evocative. Springsteen hadn't yet transformed into the Rock God he'd soon become, but THE WILD, THE INNOCENT... clearly shows him already well on his way.
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